Black Culture and Black Consciousness
Afro-American Folk Thought from Slavery to Freedom
Bibliographic Data
| ID | 19611547 |
|---|---|
| Authors | William F Mugleston |
| Year | 1978 |
| Volume | 11 |
| Issue | 4 |
| Pages | 582-582 |
| Publication date | 1978-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | REVIEW |
| Review of | Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom, Lawrence W Levine, 2007 |
| Venue | The History Teacher (JOURNAL) |
| Journal identifiers | ISSN: 0018-2745 • E-ISSN: 1945-2292 |
| Publisher | Society for History Education (PUBLISHER) |
| DOI | 10.2307/492563 |
| OpenAlex | W4255415031 |
| Language | EN |
Black culture · Consciousness · Epistemology · Sociology · Gender Studies · Philosophy · Race, History, and American Society
We Shall Not Be Moved/No nos moverán
The Narrative Creation of Self in the Fiction by African-American and African-Caribbean Women Writers
The Retreats of Reconstruction
The foundation of an apparel factory
The songs of black (women) folk
Old Fellows”
Nate Harrison as Person, Myth, and Legend
La Arqueología de la Comunidad Negra Estadounidense en tiempos recientes
American Muslims stand up and speak out
Comparing Brazilian and North American songs about money
Both American and Global
Revealing “The Struggle and the Dream”
Telling the story
Bruce Grindal as Ijapa, the Yoruba Secular Trickster
Class Acts and Daredevils
The Matter with Your Line”
Snoop's Devil Dogg
Passing for Black
"Playing the "Lady Sambo
Nothing but Pleasant Memories of the Discipline of Slavery”
The Man Died
How Pentecostalism Emerged as a form of Resistance to Racial Oppression in the US
Half Bacchanalian, Half Devout”
If you kill him, you have got to kill me first”
Laugh through it
Reconceptualising the Factory as Plantation
Dangerous memories and redemptive possibilities
Sociocultural knowledge and visual re(‐)presentations of Black masculinity and community
Who can sing this song (and how)? Memory, activism and the (Trans)cultural appropriation of spirituals
EXTRA! EXTRA! Read all about it!' Constructions of Heterosexual Black Male Identities in the Personals
Prayer Songs
Gettin’ grown’
The Possibility of Theomusicology
Mass Culture, Upper-Class Culture, and the Decline of Church Discipline in the Evangelical South
The Ideal of Professionalism and the White Southern Baptist Ministry, 1870-1920
Formations of White Public Space
Performing marginality
"Indian" music in the diaspora
The Future of Political History
Pulling Meaning” from the Earth
Does the Working Class Have a Culture in the Anthropological Sense
Revisioning the Public Speaking Course
How Blue Can You Get? “It’s Tight Like That” and the Hokum Blues
Cosmograms, Crosses, and Xs
Reconstructing
The Power of Culture
Cape of Torments
Culture and violence
How Not to Introduce Blues Prosody
Get the Pageant Habit
Another history of bluegrass
The ghost of history Bruce Springsteen, Woody Guthrie, and the hurt song
A sense of community
Identity, community and the lived experience of black Scots from the late eighteenth to the mid‐nineteenth centuries
Working musicians
James Brown's ‘Superbad’ and the double-voiced utterance
Caliban reheard
Uprooting, Rerooting
The House that Black Built
Deadwood Dick
Playing with Oppression
John Henryism and the health of African-Americans
Cape of Torments
Reflections on the Children of Shango
Working the system
The invisible weight of whiteness
Symbolic ethnicity and Herbert Gans
Dinheiro e música popular
O Milagre da crioulização
"Not Everybody is "Different-From-Me
Michaael Whelan Responds
Using Thematic Social Studies Teaching to Explore the Civil Rights Movement
Playing the Dozens”
Black American Perceptions of the Titanic Disaster
"Black Bart" Simpson
Raunch and Redress
Serious “Silly Talk”
Charles Burnett's To Sleep With Anger
Pro-Black Doesn't Mean Anti-White
Racial Conflict and Cultural Politics in the United States
Salvaging “Academic Disaster Areas”
Spatial Dialectics
Conjure, Magic, and Power
Charles Burnett
“Rosy, Possum, Morning Star
Espiritismo in the Puerto Rican Community
Sam's Cottonfield Blues
The Harvest Ceremony Seú as a Case Study of the Dynamics of Power in Post-Emancipation Curaçao (1863–1915)
Creole /L → /R in African American English/Gullah
Comparability of the Black-White Divide in the American Speech Community and the Coloured-White Divide in the Afrikaans Speech Community
Early American Music and the Construction of Race
Before Elvis
African-American and Mexican-American protest songs in the 20 th century: Some examples
Blues and the Ethnographic Truth
"One Parchman Farm or Another"
Race
Jump Up!
Decolonising Political Communication in Africa
Black Love, Black Hate
Christianity as church and story and the birth of the Filipino nation in the nineteenth century
| Citation velocity | historical |
|---|---|
| Highly cited | No |