Art Criticism in China
Bibliographic Data
| ID | 19657992 |
|---|---|
| Authors | Fei Peng (0000-0003-4960-6110, corresponding author), Feng Peng (0000-0003-2366-2253, corresponding author) |
| Year | 2026 |
| Volume | 2026 |
| Issue | 106 |
| Pages | 115-130 |
| Publication date | 2026-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Minnesota Review (JOURNAL) |
| Journal identifiers | ISSN: 0026-5667 • E-ISSN: 2157-4189 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/00265667-12449857 |
| OpenAlex | W7162670440 |
| Language | EN |
| References cited | 5 |
The Chinese art criticism landscape, which consists of market-driven criticism, government-supported criticism, research-oriented criticism, and tradition-rooted criticism, supports a flourishing scene in China, one that is very different from Western art criticism. However, whether this represents a crisis or an opportunity is not easy to determine. Art criticism in China seems to be flourishing, perhaps not because there is no crisis but because the field never achieved robust vitality in the first place. The central challenge to art criticism in China lies in defining what constitutes effective criticism within today's fragmented cultural landscape. Rather than chasing nostalgia for a bygone era, the goal might be to forge frameworks that resonate with China's unique artistic, social, and intellectual ecosystems
Art criticism · China · Chinese art · Criticism · Flourishing · Theatre criticism · Vitality · Art History and Market Analysis · Art, Politics, and Modernism · Ethics, Aesthetics, and Art
The Artworld
Reflections on Narrative Techniques and Popularization in Contemporary China’s Main Melody Dance Dramas Only This Green (2021) By The Palace Museum, China Oriental Performing Arts Group, and People.cn Company Limited National Centre for the Performing Arts, Beijing
Betweenness’ and ‘twofoldness’
The Modern System of the Arts
| Citation velocity | historical |
|---|---|
| Highly cited | No |