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‘Words were needed . . .’ Poetics and politics of the voiceover in contemporary autosociobiographical filmmaking

Bibliographic Data

ID19689735
AuthorsElena Meilicke (0000-0002-2211-8566, University of Music and Performing Arts Vienna, corresponding author)
Year2026
Publication date2026-01-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Cultural Studies (JOURNAL)
Journal identifiersISSN: 1367-5494 • E-ISSN: 1460-3551
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/13675494251394863
OpenAlexW7126468055
LanguageEN
References cited13

The article examines autosociobiographical film practices within contemporary European experimental and essay film, and specifically focusses on their use of voiceover narration. Comparing and contrasting three recent examples of autosociobiographical filmmaking from France, Austria and Germany, the article explores both the poetics and the politics of autosociobiographical voiceover, and asks how they relate to some of the fundamental ethico-political questions and problems associated with the genre of autosociobiography

Atmosphere (unit) · Cultural politics · Filmmaking · Narrative · Poetics · Politics · Autobiographical and Biographical Writing · Cinema and Media Studies · Literature and Cultural Memory

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    Open Access•Marcus Twellmann•Autosoziobiographie•2022

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    Rachel Gabara•From Split to Screened Selves•2006

  • Rückkehr zur Herkunft

    Open Access•Eva Blome•Deutsche Vierteljahrsschrift für…•2020

Citation velocityhistorical
Highly citedNo
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