The Narrator in Archaic Greek and Hellenistic Poetry
Bibliographic Data
| ID | 19903253 |
|---|---|
| Authors | Andrew Morrison (0000-0002-3457-6863, University of Manchester, corresponding author), Andrew D Morrison |
| Year | 2007 |
| Publication date | 2007-09-13 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Narrator in Archaic Greek and Hellenistic Poetry (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511597343 |
| OpenAlex | W1496246923 |
| Open Library | OL34453460M |
| ISBN | 9780511597343 |
| Language | EN |
| Citations received | 54 |
This 2007 text re-examines the relationship of Hellenistic poetry to Archaic poetry. It demonstrates how Callimachus, Theocritus and Apollonius develop their primary narrators or main narrative voices - a central feature of their poetic manner - by exploiting and adapting models from a wide range of Archaic poets and genres, including Homer, Hesiod, the Homeric Hymns, Pindar, Sappho, Archaic iambos, and early elegy. It goes beyond previous work by bringing together a close study of the Hellenistic re-making of the poetic forms of the past with the first comprehensive examination of the primary narrators of the major poems and fragments of Archaic and Hellenistic poetry. Building on narratological approaches to literary texts, it explores the ways in which Archaic poets create their narrators and develop personas across their different works. It also shows that poets such as Pindar and Hesiod provided an invaluable narrative 'pattern-book' for Hellenistic poets to adapt and experiment with
Ancient Greek · Archaeology · Archaic period · Art · Elegy · Hellenistic Period · Hesiod · Literature · Narrative · Poetry · Classical Antiquity Studies · Classics · History · Philippine History and Culture · Greek Narrative poetry · Greek poetry, history and criticism · Hellenistic Greek poetry · History and criticism · Influence (Literary, artistic, etc.) · Narrative poetry, history and criticism · Themes, motives
Pindar's Poetics of Immortality
Character, Narrator, and Simile in the Iliad
Greeks and Non-Greeks
Metalepsis, Grief, and Narrative in Aeneid 2
Homer
Music and Dance in Tragedy After the Fifth Century
Lyric Oblivion
Memory, the Orators, and the Public in Fourth-century bc Athens
Hellenistic Tragedy and Satyr-Drama; Lycophron’s Alexandra
Beyond Athens
Economies of Memory in Greek Tragedy
The Exagōgē of Ezekiel the Tragedian
Theatre Performance After the Fifth Century
Plotinus on Memory, Recollection and Discursive Thought
The Rhesus
The Place and Nature of Memory in Greek Historiography
Greek Tragedy After the Fifth Century
The Greek Philosophers on How to Memorise – and Learn
Aristophanes and his Muses, or Memory in a Comic Key
The Fifth Century and After
Scholars and Scholarship on Tragedy
Plotinus
Hellenistic Cultural Memory
Apollonius Rhodius, Herodotus and Historiography
Claudius Aelianus
Is Memory of the Past?
Society and Politics in Post-Fifth-Century Tragedy
Attitudes Towards Tragedy from the Second Sophistic to Late Antiquity
Speaking in the Wax Tablets of Memory
Greek Tragedy in the Fourth Century
The Theophania of Apollo
The Alternative Futures of the Lyric Characters
La tartaruga di Ermes
Was tut ein Geschichtsschreiber
Callimachus in Context
The New Politics of Olympos
Reciprocity, Truth, and Gender in Pindar and Aeschylus
Greek Memories
Cosmography and the Idea of Hyperborea in Ancient Greece
O Fragmento 2 W de Tirteu e a Poética da Eunomia
El episodio de las Sirenas en Argonáuticas de Apolonio de Rodas
Truth, Narration, and Interpretation in Lucian’s Verae Historiae
Mantik, Rhetorik und Poetologie
The Hymn to Delos and Callimachus’ Blame of Thebes
Xenophanes im Zeus-Hymnos des Kallimachos
Truth and Genre in Pindar
Under the Sign of the Distaff
Inventing Origins? Aetiological Thinking in Greek and Roman Antiquity
Xenophon the Philosopher
Kallimachos and the Seleukid Apollo
Triphiodorus and the Poetics of Imperial Greek Epic
Callimachus in the Pindar Scholia
The drunk, the reformer and the teacher
Raccontare Zeus. Poesia e cultura di corte ad Alessandria, a partire dall'Inno I di Callimaco
| Unique citing works | 54 |
|---|---|
| Citations per year | 2,7 |
| Citation span | 2006 - 2023 (18) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 54 |