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Homelands, Harlem and Hollywood

South African Culture and the World Beyond

Bibliographic Data

ID19904574
AuthorsRob Nixon (corresponding author)
Year2022
Publication date2022-08-10
Open AccessNo
TypeBOOK
VenueHomelands, Harlem and Hollywood (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9781003311911
OpenAlexW4302077889
Open LibraryOL37985914M
ISBN9781003311911
LanguageEN
Citations received7

Originally published in 1994, Homelands, Harlem & Hollywood examines the anti-colonialist struggle against apartheid, and the ways in which American and South African culture have been fascinated with and influenced by one another. Rob Nixon’s wide-ranging analysis looks at Hollywood representations of the struggle for liberation, the impact of the Harlem Renaissance on the Sophiatown writers, the banning and censorship of television under apartheid, Mandela and messianic politics, the sports and cultural boycotts, ethnic nationalism, and the culture of violence. Nixon concludes with an investigation of how the collapse of communism and anti-communism and the rise of ethnic cleansing in Eastern Europe and the former Soviet Union had powerful implications for the shape of post-apartheid South Africa

Art · Art history · Harlem Renaissance · Hollywood · Performance art · African history and culture studies · African studies and sociopolitical issues · History · South African History and Culture · Africa · Apartheid in mass media · civilization · foreign public opinion · International Relations · Public opinion · Relations · South · South Africa

  • Johannesburg as Africa

    Stefan Helgesson•Scrutiny2•2006

  • Culture and activism

    Carolyn Ownbey•Safundi•2021

  • Tough guy, eh

    Mac Fenwick•Journal of Southern African Studies•1996

  • The drama of country and city

    Loren Kruger•Journal of Southern African Studies•1997

  • Conclusion

    Open Access•James Burns•Cinema and Society in the British…•2013

  • Popular Culture and Public Space in Africa

    Open Access•Nadine Dolby•African Studies Review•2006

  • Fracture and Selfhood in Jacob Dlamini'sNative Nostalgia

    Megan Jones•African Studies•2014

Unique citing works7
Citations per year0,23
Citation span1996 - 2021 (26)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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