Sex,The Self and the Sacred
Women in the Cinema of Pier Paolo Pasolini
Bibliographic Data
| ID | 19905450 |
|---|---|
| Authors | Colleen Ryan-Scheutz (corresponding author) |
| Year | 2007 |
| Pages | 336 |
| Publication date | 2007-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Sex, the Self, and the Sacred (SOURCE_BOOK) |
| Publisher | University of Toronto Press (PUBLISHER • CA) |
| DOI | 10.3138/9781442684775 |
| OpenAlex | W4244533779 |
| ISBN | 9781442684775 |
| Open Library | OL34450555M |
| Language | EN |
| Citations received | 3 |
Drawing upon Italy's distinct socio-cultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society
Aesthetics · Art · Art history · Language change · Literature · Psychoanalysis · Psychoanalytic theory · Sociology · European history and politics · Gender Studies · Italian Fascism and Post-war Society · Psychology · Criticism and interpretation · Critique et interprétation · Feminism and motion pictures · Féminisme et cinéma · Femmes au cinema · Pier Paolo Pasolini (1922-1975) · Sex in motion pictures · Sexualité au cinéma · Textbooks · Women in motion pictures
| Citations per year | 0.38 |
|---|---|
| Citation span | 2018 - 2023 (6) |
| Highly cited | No |