Encyclopedia of the Harlem Renaissance
Bibliographic Data
| ID | 19915352 |
|---|---|
| Editors | Cary D Wintz, Paul Finkelman |
| Year | 2012 |
| Pages | 1392 |
| Publication date | 2012-12-06 |
| Open Access | No |
| Type | BOOK |
| Venue | Encyclopedia of the Harlem Renaissance (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203319307 |
| OpenAlex | W608089207 |
| Open Library | OL39257731M |
| ISBN | 9780203319307 |
| Language | EN |
| Citations received | 11 |
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period.For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website
Art · Art history · Biography · Blues · Harlem Renaissance · Jazz · Performance art · White (mutation) · History · Race, History, and American Society · Theater, Performance, and Music History
The Trickster in Ishmael Reed’s Dualistic Representations of Black Radicalism and Nationalism in Mumbo Jumbo
From number to name
The Platform
"A "Cipher Language
The Carceral State and the Crucible of Black Politics
Germany, 1923
Art Matters
This Harlem Life
The Talking Book and the Talking Book Historian
"New Negro" Men, World War I, and African American Masculinity in Guy Johnson's Standing at the Scratch Line
The Witch of Endor Slept Here
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,61 |
| Citation span | 2008 - 2019 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |