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Prose Fiction of the Cuban Revolution

Bibliographic Data

ID19916100
AuthorsSeymour Menton (corresponding author)
Year1975
Publication date1975-12-31
Open AccessNo
TypeBOOK
VenueProse Fiction of the Cuban Revolution (SOURCE_BOOK)
PublisherUniversity of Texas Press (PUBLISHER • US)
DOI10.7560/764217
OpenAlexW4297908136
ISBN9780292763838
Open LibraryOL34913227M
LanguageEN
Citations received4

Recipient of the Hubert Herring Memorial Award from the Pacific Coast Council on Latin American Studies for the best unpublished manuscript of 1973, Prose Fiction of the Cuban Revolution is an in-depth study of works by Cubans, Cuban exiles, and other Latin American writers. Combining historical and critical approaches, Seymour Menton classifies and analyzes over two hundred novels and volumes of short stories, revealing the extent to which Cuban literature reflects the reality of the Revolution. Menton establishes four periods—1959–1960, 1961–1965,1966–1970, and 1971– 1973—that reflect the changing policies of the revolutionary government toward the arts. Using these periods as a chronological guideline, he defines four distinct literary generations, records the facts about their works, establishes coordinates, and formulates a system of literary and historical classification. He then makes an aesthetic analysis of the best of Cuban fiction, emphasizing the novels of major writers, including Alejo Carpentier's El siglo de las luces, and José Lezama Lima's Paradiso. He also discusses the works of a large number of lesser-known writers, which must be considered in arriving at an accurate historical tableau. Menton's exploration of the short story combines a thematic and stylistic analysis of nineteen anthologies with a close study of six authors: Guillermo Cabrera Infante, Calvert Casey, Humberto Arenal, Antonio Benítez, Jesús Díaz Rodríguez, and Norberto Fuentes. Several chapters are devoted to the increasing number of novels and short stories written by Cuban exiles as well as to the eighteen novels and one short story written about the Revolution by non-Cubans, such as Julio Cortázar, Carlos Martínez Moreno, Luisa Josefina Hernández, and Pedro Juan Soto. In studying literary works to reveal the intrinsic consciousness of a historical period, Menton presents not only his own views but also those of Cuban literary critics. In addition, he clarifies the various changes in the official attitude toward literature and the arts in Cuba, using the revolutionary processes of several other countries as comparative examples

Art · Literature · Cuban History and Society · History · 20th century · Cuba in literature · Cuban fiction · Cuban literature · Cuban literature, history and criticism · History and criticism · in literature · Latin American fiction · Latin american fiction, history and criticism

  • ‘I would rather go on being underdeveloped.’ Rereading and recontextualising Edmundo Desnoes's 1965 novel Memorias del subdesarrollo

    Open Access•William Rowlandson•International Journal of Cuban…•2020

  • The Cambridge History of Latin American Literature

    Open Access•Cathy Jrade, Angéla Gonzalez et al.•The Cambridge history of Latin…•1996

  • Cultural Policy, Literature and Readership in Revolutionary Cuba

    Open Access•Parvathi Kumaraswami, Par Kumaraswami•Bulletin of Latin American Research•2007

  • Cuba's Hegemonic Novelists

    Open Access•Seymour Menton•Latin American Research Review•1994

Citations per year0.13
Citation span1994 - 2020 (27)
Highly citedNo

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