Greek Myths in Roman Art and Culture
Imagery, Values and Identity in Italy, 50 BC–AD 250
Bibliographic Data
| ID | 19923537 |
|---|---|
| Authors | Zahra Newby (University of Warwick, corresponding author) |
| Year | 2016 |
| Publication date | 2016-08-31 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Greek Myths in Roman Art and Culture (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9781139680387 |
| OpenAlex | W2783698898 |
| ISBN | 9781139680387 |
| Open Library | OL34556749M |
| Language | EN |
| Citations received | 20 |
Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values
Aesthetics · Ancient Greek · Art · Art history · Cognitive reframing · Greek art · Greek mythology · Literature · Mythology · Paideia · Painting · Period (music) · Rhetorical question · Roman art · Roman Empire · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Classics · Historical and Religious Studies of Rome · Historical, Religious, and Philosophical Studies · History · Psychology · Ancient & Classical · Art, Roman · civilization · Greek · Greek influences · Mythology, in art · Roman Art · Rome · Themes, motives
Roman Tombs and the Art of Commemoration
Exemplary Ethics in Ancient Rome
Painting, Ethics, and Aesthetics in Rome
Greek Tragedy and the Theatre of Sisterhood
Suffering in Silence
Women in Love in the Fragmentary Plays of Sophocles
Female Violence towards Women and Girls in Greek Tragedy
The Colourful Look of the Maussolleion at Halikarnassos
Okrutna pobożność
Still, She Persisted
The “Strangeness” of Hypermestra's Letter to Lynceus (Ov. Her . 14)
Female Characters in Fragmentary Greek Tragedy
Eye-Like Radiance’
Making Specimens in the Periplus of Hanno and its Imperial Tradition
Echoes of the Rejection of the Aulos in Augustan Poetry
The Embodied Object
Death by Analogy
Beyond social and functional interpretations of wall paintings
Normative Masculinity and the Decoration of the Tepidarium of the Forum Baths in Pompeii
Ecocriticism on the Wall
| Citations per year | 2.5 |
|---|---|
| Citation span | 2018 - 2024 (7) |
| Highly cited | No |