Religion in Contemporary European Cinema
The Postsecular Constellation
Bibliographic Data
| ID | 19924310 |
|---|---|
| Editors | Costica Bradatan, Camil Ungureanu (0000-0001-8419-8111) |
| Year | 2014 |
| Pages | 226 |
| Publication date | 2014-02-18 |
| Open Access | No |
| Type | BOOK |
| Venue | Religion in Contemporary European Cinema (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315832876 |
| OpenAlex | W4300939258 |
| Open Library | OL53950563M |
| ISBN | 9781315832876 |
| Language | EN |
| Citations received | 10 |
Aesthetics · Art · Art history · Movie theater · Political science · Visual arts · Italian Fascism and Post-war Society · Religion and Society Interactions · Religious Tourism and Spaces · Cinéma · Europe · History · History and criticism · Motion pictures · Motion pictures, religious aspects · Performing Arts · Reference · Religion au cinéma · Religion in motion pictures · Religious aspects
The influence of Russian religious aesthetics on Russian animation
The Ultimate Border
Every Wholly Other
Truth is a “bird of prey”
Aestheticization of politics and ambivalence of self-sacrifice in Charlie Brooker's The National Anthem
The ‘mystical’ foundation of democratic society, mythmaking and truth in The Man Who Shot Liberty Valance (John Ford 1962)
Michel Houellebecq’s shifting representation of Islam
One Long Kiss
Sacrifice, Violence and the Limits of Moral Representation in Haneke'scaché
Knocking on a Saint's Door, or a Quest for Holiness in a Post-Secular Society
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,83 |
| Citation span | 2014 - 2025 (12) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 8 |