Book Presence in a Digital Age
Bibliographic Data
| ID | 19926451 |
|---|---|
| Authors | Killian Driscoll (0000-0002-4654-4666), Kiene Brillenburg Wurth, Kári Driscoll, Jessica Pressman |
| Year | 2017 |
| Publication date | 2017-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Book Presence in a Digital Age (SOURCE_BOOK) |
| Publisher | Bloomsbury Academic (PUBLISHER) |
| DOI | 10.5040/9781501321214 |
| OpenAlex | W4237836144 |
| ISBN | 9781501321214 |
| Open Library | OL33317744M |
| Language | EN |
| Citations received | 5 |
Contrary to the apocalyptic pronouncements of paper media’s imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski’s House of Leaves, Steven Hall’s The Raw Shark Texts) to accordion books (Anne Carson’s Nox), from cut ups (Jonathan Safran Foer’s Tree of Codes) to collages (Graham Rawle’s Woman’s World), from erasures (Mary Ruefle’s A Little White Shadow) to mixups (Simon Morris’s The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially
Art · Art history · Demise · Literature · Performance art · Political science · Shadow (psychology) · White (mutation) · Digital Games and Media · Digital Humanities and Scholarship · History · Law · Psychology · Technology's Impact on Media · books and reading · Literature publishing · Printing industry · Publishers and publishing · Technological innovations
| Citations per year | 1 |
|---|---|
| Citation span | 2021 - 2025 (5) |
| Highly cited | No |