Chicano Rap
Gender and Violence in the Postindustrial Barrio
Dados Bibliográficos
| ID | 19936732 |
|---|---|
| Autores | Pancho Mcfarland (autor correspondente) |
| Ano | 2008 |
| Data de publicação | 2008-12-31 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Chicano Rap (SOURCE_BOOK) |
| Editora | University of Texas Press (PUBLISHER • US) |
| DOI | 10.7560/718029 |
| OpenAlex | W587386265 |
| Open Library | OL10293680M |
| ISBN | 9780292794221 |
| Idioma | EN |
| Citações recebidas | 12 |
| Referências citadas | 37 |
From the Publisher: Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions-San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message
Agency (philosophy) · Dominance (genetics) · Framing (construction) · Globalization · Political science · Post-industrial society · Social science · Sociology · Cuban History and Society · Gender Studies · History · Latin American and Latino Studies · Law · Music History and Culture · History and criticism · Mexican Americans · Music · Rap (Music) · Sex in music · Violence in music
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Black and Latino Hip Hop Alliances in the Age of State-sponsored Immigration Reform
"Freaky" Asian Americans, Hip-Hop, and Musical Autobiography
The Posse Cut as Autobiographical Utterance of Place in the Night Marchers' Three Dots
Black and Brown Get Down
‘These stories have to be told’
The Position of Women in Rap Music in the Context of Gender
The Rock, Rock On”
Performing the US Latina and Latino Borderlands
Shadowed lives
White man falling
Cut `n' Mix
Masculinity and power
Chicano ideology revisited
The Zoot-Suit Riots
Chicana Literature from a Chicana Feminist Perspective
El Teatro Campesino
The Texas-Mexican Conjunto
Chicana Feminist Thought
Black Culture and Black Consciousness
Black Feminist Thought
Stuart Hall
Gender Trouble
The Bronze Screen
Anti-Colonial Chicana Feminism
On Postmodernism and Articulation
Globalization and Survival in the Black Diaspora
Exposure to sexually explicit materials and attitudes toward rape
The Kaleidoscopic Lens
It's Not About a Salary
Chicano Poetics
Aggressive erotica and violence against women
Victim reactions in aggressive erotic films as a factor in violence against women
Strangers From A Different Shore
Ladies First
Mexican American Youth Organization
Barrio Rhythm
The Mexican Corrido
"With His Pistol in His Hand"; A Border Ballad and Its Hero
Women, Race and Class
Criminality Theories and Behavioral Images
| Obras citantes distintas | 12 |
|---|---|
| Citações por ano | 0,86 |
| Intervalo de citações | 2012 - 2024 (13) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 5 |