Science Fiction Film
Bibliographic Data
| ID | 19937320 |
|---|---|
| Authors | J P Telotte (Georgia Institute of Technology, corresponding author) |
| Year | 2001 |
| Publication date | 2001-08-06 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Science Fiction Film (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511613159 |
| OpenAlex | W578044663 |
| Open Library | OL7747638M |
| ISBN | 9780511613159 |
| Language | EN |
| Citations received | 39 |
Science Fiction Film examines one of the most enduring and popular genres of Hollywood cinema, suggesting how the science fiction film reflects attitudes toward science, technology, and reason as they have evolved in American culture over the course of the twentieth century. J. P. Telotte provides a survey of science fiction film criticism, emphasizing humanist, psychological, ideological, feminist, and postmodern critiques. He also sketches a history of the genre, from its earliest literary manifestations to the present, while touching on and comparing it to pulp fiction, early television science fiction, and Japanese animé. Telotte offers in-depth readings of three key films: Robocop, Close Encounters of the Third Kind, and THX 1138, each of which typifies a particular form of science fiction fantasy. Challenging the boundaries usually seen between high and low culture, literature and film, Science Fiction Film reasserts the central role of fantasy in popular films, even those concerned with reason, science, and technology
Aesthetics · Art · Art history · Criticism · Fantasy · Fiction theory · Film genre · Hollywood · Humanism · Ideology · Literary criticism · Literary fiction · Literature · Movie theater · Political science · Popular culture · Postmodernism · Sci-Fi · Techno-thriller · Cinema and Media Studies · Digital Games and Media · Philosophy · Utopian, Dystopian, and Speculative Fiction · 791.43/615 · Film · Film & Video - History & Criticism · Film criticism · Films, cinema · History & Criticism · History and criticism · Mass media · Media Studies · Motion pictures · Performing Arts · Performing Arts/Dance · Pn1995.9.s26 t45 2001 · Pop Arts · Pop Culture · Science fiction films · Social Science · Social Science-Media Studies · Sociology
Stargate Atlantis
Property and privatisation in RoboCop
Decolonising James Cameron's Pandora
The Moral Consideration of Artificial Entities
Avances en la implementación del voto extraterritorial mexicano
One Danger and Eleven Types of Academic Disquiet Whilst Hunting for Cinematic Christ-figures
The Devil in Our DNA
Remembering and Restoring the Republic
Technology and Its Discontents
Afrofuturism in American Science Fiction
Space, that Bottomless Pit
The Cambridge Companion to American Science Fiction
The Cinematic Christ-figure
Cinéma/Science-fiction
The future(s) of risk
DeMille-the-Businessman and the Mini-Me Mirroring of Samson in Young Saul within Samson and Delilah
Martians, Demons, Vampires, and Vicars
Corpus Christi, Corpus Cyborgensis, and the Body Politic
Role of science fiction in conceptualising the reproductive future
The psychologist, the psychoanalyst and the ‘extraordinary child’ in postwar British science fiction
Posthuman fantasies
The Robot and Human Futures
Technophobic Themes In Pre-1990 Computer Films
New Media Audiences’ Perceptions of Male and Female Scientists in Two Sci-Fi Movies
Samson’s “Thorn Bush” Tagging of Delilah Within Cecil B. DeMille’s Samson and Delilah (1949)
Robert Wise’s The Day the Earth Stood Still (1951) and Interplanetary Emissary Klaatu Are Not Anti-Atomic
Practicing theory
Inner Screens and Cybernetic Battlefields
Cyborg Selves in Battlestar Galactica and Star Trek
Blind Warriors, Supercrips, and Techno‐Marvels
Exquisite cadaver” according to Stanisław Lem and Andrzej Wajda
Science and Fiction
Robert Wise’s The Day the Earth Stood Still (1951) is Not an Alien Invasion Film
DeMille and Danger
Marginalized Bodies of Imagined Futurescapes
Brave black worlds
Terrans, extraterrestrials, warriors and the last (wo)man standing
You're really going to be fine
Living with Time
| Unique citing works | 39 |
|---|---|
| Citations per year | 1,7 |
| Citation span | 2003 - 2025 (23) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 30 |