Cities Surround The Countryside
Urban Aesthetics in Postsocialist China
Dados Bibliográficos
| ID | 19939736 |
|---|---|
| Autores | Robin Visser (autor correspondente) |
| Ano | 2010 |
| Páginas | 373 |
| Data de publicação | 2010-04-12 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Cities Surround the Countryside (SOURCE_BOOK) |
| Editora | Duke University Press (PUBLISHER • US) |
| DOI | 10.1515/9780822392774 |
| OpenAlex | W1565800691 |
| Open Library | OL29604774M |
| ISBN | 9780822392774 |
| Idioma | EN |
| Citações recebidas | 23 |
Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends.In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China's urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government's inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China's neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance
Aesthetics · Art · Beijing · China · Identity (music) · Modernity · Morality · Political science · Politics · Rural area · Sociology · Subject (documents) · Art, Politics, and Modernism · China's Socioeconomic Reforms and Governance · Chinese history and philosophy · Gender Studies · Law · Cities and towns · City and town life
Resituating Urban Geopolitics
From Recording to Ritual
Invisible Body and the Predicaments of Existence in an Urbanizing China
Storytelling as urban resistance in Shanghai
Urban (Post)Modernity and Its Discontent
Europe as façade
Reclaiming urban narratives
Urbanized interfaces
Advertising the Chinese dream
Heritage as theatre
Negotiating spatial politics
Migrants on exhibition
The Political Economy of Urban Ruins
Behind the Play
Towards a material approach in rural geography
The Spectral Return of Cinema
Queering/Querying Cosmopolitanism
Internet Literature in China, written by Michel Hockx
Between the worlds
Reimagining Affection in a Changing Shanghai
Video Documentary and Rural Public Culture in Ethnic China
Pop Cosmopolitics and K-pop Video Culture
“Everyone’s Property”
| Obras citantes distintas | 23 |
|---|---|
| Citações por ano | 1,53 |
| Intervalo de citações | 2011 - 2026 (16) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 7 |