The Routledge Companion to Global Television
Bibliographic Data
| ID | 19939867 |
|---|---|
| Editors | Shawn Shimpach |
| Year | 2019 |
| Pages | 512 |
| Publication date | 2019-10-29 |
| Open Access | No |
| Type | BOOK |
| Venue | Routledge Companion to Global Television (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315192468 |
| OpenAlex | W2989889345 |
| Open Library | OL54011770M |
| ISBN | 9781315192468 |
| Language | EN |
| Citations received | 24 |
Children’s screen media have recently undergone a period of rapid technological, regulatory and economic change, transforming the ways in which content is produced, distributed and experienced by audiences. Despite the perceived value of locally produced television that reflects children’s cultural context back to them, the production and distribution of children’s television is an increasingly globalised and complex business. The global dominance of US-owned channel brands such as Disney, Nickelodeon and Cartoon Network is being challenged, however, by new market entrants including Netflix, Amazon Prime and YouTube, which distribute children’s content seamlessly online across national borders. With abundant supplies available on demand, the child audience has fragmented across multiple services and platforms, undermining the funding of traditional children’s screen content on broadcast and Public Service Broadcasting (PSB) outlets. Producers have had to adapt to these new television production ecologies. Very large transnational companies now exist alongside niche providers of children’s content. The latter often disintermediate linear broadcasters, harnessing instead the global distribution networks created by YouTube, SVODs and social media. These transformations in children’s screen content have significant implications both for children’s media industries and for the policy and funding instruments intended to support locally produced content for the child audience
Media studies · Sociology · Globalization and Cultural Identity · History · 05.36 · Émissions télévisées · Émissions télévisées étrangères · Foreign television programs · Literature · Social aspects · Social Science · Television · Television (telecommunication system) · Television broadcasting · Television programs
Eventocracy, Affective Supremacy and Resistance in Turkey’s Captured Media Ecology
What are people watching in your area
Berlin as location and production site for transnational TV drama
Following the recipe
Content is power
The role of online fan communities in the popularization of Turkish TV dramas in Brazil
Cooking Shows as Gender Edutainment in Authoritarian Regimes
Mainstreaming anti-Semitism on Turkey’s public broadcaster TRT
Turkey’s TV celebrities as cultural envoys
Exploring the Virtual Culture of Reality Television Communities
Emerging Queer Sister Studies
What’s New
The Overbearing CEO
Love Jihad,” digital affect, and feminist critique
Watching the romance together
The carnivalesque celebration of a slack laborer icon on a talent show
From 'Kill This Love' to 'CueJi's Love
Something else’
Over-the-top sport
The Impact of Indian Exaggerated Animated Television Advertisements on Consumer
Between global and local
Two Waves of the Neo-Ottoman Invasion
Hip Hop and the Televisual Global South
Estrategias narrativas de los dramas contemporáneos basados en hechos reales
| Unique citing works | 24 |
|---|---|
| Citations per year | 3,43 |
| Citation span | 2019 - 2025 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |