Cinema Wars
Hollywood Film and Politics in the Bush-Cheney Era
Bibliographic Data
| ID | 19971968 |
|---|---|
| Authors | Douglas Kellner (0000-0002-1643-6744, corresponding author) |
| Year | 2009 |
| Pages | 279 |
| Publication date | 2009-12-21 |
| Open Access | No |
| Type | BOOK |
| Reviewed by | Cinema Wars: Hollywood film and politics in the Bush-Cheney era, Gary D Rawnsley, 2011 |
| Venue | Cinema wars (SOURCE_BOOK) |
| Publisher | Wiley-Blackwell (PUBLISHER • US) |
| OpenAlex | W1265075283 |
| Open Library | OL23678451M |
| ISBN | 9781405198233 |
| Language | EN |
| Citations received | 40 |
Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s.: Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces; Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others; Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration
Art · Art history · Hollywood · Media studies · Movie theater · Political science · Politics · Sociology · Cinema and Media Studies · Italian Fascism and Post-war Society · Law · Political and Economic history of UK and US · 2001-2009 · 2003 · 2003-2011 · 21st century · Documentary films · Environmental films · History · History and criticism · Iraq War · Motion pictures · Motion pictures and the war · Political aspects · politics and government · Politics in motion pictures · Terrorism in motion pictures · united states
The Figure of the Refugee in Superhero Cinema
Geopolitics on the 'Other Side
New Evidence for the Surprisingly Significant Propaganda Role of the Central Intelligence Agency and Department of Defense in the Screen Entertainment Industry
Media events, spectacles and risky globalization
Frankfurt School, Media, and the Culture Industry
And Action
“Youtuber Movies” From New Media to the Cinema
Beyond The “Joker” Movie
Activist horror film
La recuperación fílmica de la figura presidencial norteamericana en un contexto de crisis
From Kabuliwala to Kesari
Toward a Reevaluation of Siegfried Kracauer and the Frankfurt School
Recovery of the US president character in Hollywood film during Barack Obama’s terms
In action cinema's crosshair
Learning to Love Biomimetic Killing
An Act of War? The Interview Affair, the Sony Hack, and the Hollywood–Washington Power Nexus Today
Cinema and politics
Unmanned? Military Masculinities in Filmic Representations of US Drone Operators
Not a History Lesson
Embassy cinema
Retrolugares, definición, formación y repetición de lugares, escenarios y escenas imaginados del pasado en la cultura popular y el videojuego
Intimacy in Non-Western Discourses of Terrorism
Evil never dies, right?’ Monstrous mediation in the A Nightmare on Elm Street Film Series
World War Z
O apocalipse social no cinema contemporâneo de Hollywood
International terrorism? Indian popular cinema and the politics of terror
Signifying Trauma in the Post-9/11 Combat Film
Deforming justice
I’ve never murdered anyone in my life. The decisions are up to them.”
En/Gendering Trouble with J. J. Abrams’s Rey in The Force Awakens
Children of Men 's Ambient Apocalyptic Visions
The Democratic Worth of Celebrity Politics in an Era of Late Modernity
Genre, culture and the semiosphere
Prepped for harvest
Media Spectacle and Domestic Terrorism
(Captain) America in crisis
Lifetime's Army Wives , or I Married the Media-Military-Industrial Complex
Camp Horror and the Gendered Politics of Screen Violence
Vice , On the Basis of Sex , and the Liberal Imagination
Social impact without social justice
| Unique citing works | 40 |
|---|---|
| Citations per year | 2,86 |
| Citation span | 2012 - 2025 (14) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 36 |