Joining the Choir
Religious Memberships and Social Trust among Transnational Ghanaians
Bibliographic Data
| ID | 19972040 |
|---|---|
| Authors | Nicolette D Manglos‐weber (corresponding author), Nicolette D Manglos-Weber (0000-0001-9045-7239) |
| Year | 2018 |
| Pages | 240 |
| Publication date | 2018-03-22 |
| Open Access | No |
| Type | BOOK |
| Venue | Joining the Choir (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oso/9780190841041.001.0001 |
| OpenAlex | W2794123998 |
| Open Library | OL30594880M |
| ISBN | 9780190841041 |
| Language | EN |
| Citations received | 6 |
Immigration and race are contentious issues in North America. As a result, black immigrants from Ghana and other countries of West Africa face significant challenges, even as their experiences and accomplishments confound stereotypes about blacks and foreigners. Religious congregations have often helped immigrants navigate the tricky waters of integration in the past; yet how do these particular black immigrants approach organized religion in light of their identities and aspirations? What are they looking for in religious membership, and how do they find it? In Joining the Choir , the author takes a deeply personal look at the lives of a few central characters in Accra, Ghana, and in Chicago, examining what religious membership means for them as Christians, transnational Ghanaians, and aspirational migrants. She sheds light on their search for people they can trust, and their desires to transcend divisions of race, ethnicity, and nationality in the context of Evangelical Christianity. Her characters are memorable, as motivated but also adaptable persons with complex identities and goals, for whom religious membership answers some questions of integration while raising others. Their stories show how racial divides are subtly perpetuated within congregations in spite of hopes for religious integration. Yet they also reveal the potential of religious-based personal trust to bridge those divides, as an imaginative and symbolic “leap of faith” in the unknown stranger. Finally, their stories highlight the continuing role of religion as a portable basis of trust in the modern world, where more and more people live between nations
Art · Choir · Visual arts · Diaspora, migration, transnational identity · Race, History, and American Society · Religion, Society, and Development · Chicago (ill.) · Christianity · Ghanaian Americans · Religion · Social conditions
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Joining the Choir
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2018 - 2025 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 6 |