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The Happy Hsiungs

Performing China and the Struggle for Modernity

Bibliographic Data

ID19972688
AuthorsDiana Yeh (0000-0001-8324-5342, corresponding author)
Year2014
Pages224
Publication date2014-04-01
Open AccessNo
TypeBOOK
VenueHappy Hsiungs (SOURCE_BOOK)
PublisherHong Kong University Press (PUBLISHER)
DOI10.5790/hongkong/9789888208173.001.0001
OpenAlexW2253011842
Open LibraryOL28511436M
ISBN9789888208173
LanguageEN
Citations received7
References cited1

“Try Something Different. Something Really Chinese“ The Happy Hsiungs recovers the lost histories of Shih-I and Dymia Hsiung, two once highly visible, but now largely forgotten Chinese writers in Britain, who sought to represent China and Chineseness to the rest of the world. Shih-I shot to worldwide fame with his play Lady Precious Stream in the 1930s and became known as the first Chinese director to work in the West End and on Broadway. Dymia was the first Chinese woman in Britain to publish a fictional autobiography in English. Diana Yeh traces the Hsiungs’ lives from their childhood in Qing dynasty China and youth amid the radical May Fourth era to Britain and the USA, where they rubbed shoulders with George Bernard Shaw, James M. Barrie, H. G. Wells, Pearl Buck, Lin Yutang, Anna May Wong and Paul Robeson. In recounting the Hsiungs’ rise to fame, Yeh focuses on the challenges they faced in becoming accepted as modern subjects, as knowledge of China and the Chinese was persistently framed by colonial legacies and Orientalist discourses, which often determined how their works were shaped and understood. She also shows how Shih-I and Dymia, in negotiating acceptance, “'performed” not only specific forms of Chineseness but identities that conformed to modern ideals of class, gender and sexuality, defined by the heteronormative nuclear family. Though fêted as ‘The Happy Hsiungs', their lives ultimately highlight a bitter struggle in attempts to become modern

Art · Art history · Biography · China · Chinese literature · Human sexuality · Literature · Orientalism · Sociology · Chinese history and philosophy · Gender Studies · History · Japanese History and Culture · Philippine History and Culture · Authors · Authors, chinese

  • Rewriting History in Two Tongues

    Open Access•Yue Kong•Literature Compass•2026

  • On the transcultural rewriting of the Chinese play Wang Baochuan

    Huijuan Ma, Xingzhong Guan•Perspectives•2016

  • Writing in London

    Cosima Bruno•Life Writing•2016

  • Dymia Hsiung’s Flowering Exile

    Yifan Jin•Women s Studies•2025

  • The theatrical imagining of diasporic modernity in Shih-I Hsiung's Lady Precious Stream

    Qingquan Qiao•Journal of Postcolonial Writing•2020

  • Integrating an Intercultural Aesthetic World

    Yifan Jin•Journal of Intercultural Studies•2023

  • Contesting the 'model minority

    Diana Yeh•Ethnic and Racial Studies•2014

  • Contesting the 'model minority

    Diana Yeh•Ethnic and Racial Studies•2014

Unique citing works7
Citations per year0,58
Citation span2014 - 2026 (13)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7

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