Russia on the Edge
Imagined Geographies and Post-Soviet Identity
Bibliographic Data
| ID | 19980078 |
|---|---|
| Authors | Edith W Clowes (corresponding author) |
| Year | 2011 |
| Pages | 200 |
| Publication date | 2011-03-17 |
| Open Access | No |
| Type | BOOK |
| Venue | Russia on the edge (SOURCE_BOOK) |
| Publisher | Cornell University Press (PUBLISHER) |
| DOI | 10.7591/cornell/9780801448560.001.0001 |
| OpenAlex | W4230528741 |
| Open Library | OL24480038M |
| ISBN | 9780801448560 |
| Language | EN |
| Citations received | 20 |
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors—whether axes of north vs. south or geopolitical images of center, periphery, and border—have become the signs of a different sense of self and the signposts of a new debate about Russian identity. This book argues that refurbished geographical metaphors and imagined geographies provide a useful perspective for examining post-Soviet debates about what it means to be Russian today. The book lays out several sides of the debate. It takes as a backdrop the strong criticism of Soviet Moscow and its self-image as uncontested global hub by major contemporary writers. The most vocal, visible, and colorful rightist ideologue, Aleksandr Dugin, the founder of neo-Eurasianism, has articulated positions contested by such writers and thinkers as Mikhail Ryklin, Liudmila Ulitskaia, and Anna Politkovskaia, whose works call for a new civility in a genuinely pluralistic Russia. Dugin's extreme views and their many responses—in fiction, film, philosophy, and documentary journalism—form the body of this book. The book provides the keys to a vital post-Soviet writing culture; it is a guide to the variety of post-Soviet efforts to envision new forms of social life, even as a reconstructed authoritarianism has taken hold; and it introduces non-specialist readers to some of the most creative and provocative of present-day Russia's writers and public intellectuals
Aesthetics · Art · Authoritarianism · Civility · Democracy · Geopolitics · Identity (music) · Ideology · Literature · Media studies · Political science · Politics · Sociology · Eastern European Communism and Reforms · History · Law · Soviet and Russian History · 1991 · 20th century · 21st century · 891.709/35847 · Cultural geography · History and criticism · Human Geography · Intellectual life · National characteristics, Russian, in literature · National Territory · Nationalism and literature · Pg3027 .c57 2011 · Russia · Russian literature · Russian literature, history and criticism · Soviet Union · Territory, National
World-making as Re-creating Reality
The Anthropocene on Planet Water. Competing Views on Rivers and Geography in Sergei Zalygin's Ekologicheskii roman
The ludic lives of memoryscapes
Geographical Metanarratives in Russia and the European East
Alexander Pushkin in Bessarabia
Northeast Asia in regional perspective
The Great Friendship
Islamic masculinities in action
Foreign Kitchens, Foreign Lands
Alexander Dugin’s ‘times of troubles’ as paradigms of Russian history
The Production of ‘Novorossiya
Baer, Brian James (2016)
The post-Soviet “Orient” in stories by Vladimir Makanin and Liudmila Petrushevskaia
The creative destruction of dialogue
West oriented in the East-oriented Donbas
Small state imperialism
Market civilisation meets economic nationalism
Introduction
The Imperial Gaze
Message on a bottle
| Unique citing works | 20 |
|---|---|
| Citations per year | 1,43 |
| Citation span | 2012 - 2026 (15) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 20 |