The Black Cultural Front
Black Writers and Artists of the Depression Generation
Bibliographic Data
| ID | 19984909 |
|---|---|
| Authors | Brian Dolinar, Brian S Dolinar (0000-0002-8228-4590, corresponding author) |
| Year | 2012 |
| Pages | 277 |
| Publication date | 2012-05-07 |
| Open Access | No |
| Type | BOOK |
| Venue | Black Cultural Front (SOURCE_BOOK) |
| Publisher | University Press of Mississippi (PUBLISHER) |
| DOI | 10.14325/mississippi/9781617032691.001.0001 |
| OpenAlex | W4240762042 |
| Open Library | OL25067040M |
| ISBN | 9781617032691 |
| Language | EN |
| Citations received | 8 |
This book describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The Communist-led John Reed Clubs brought together black and white writers in writing collectives. The Congress of Industrial Organizations’s effort to recruit black workers inspired growing interest in the labor movement. One of the most concerted efforts was made by the National Negro Congress (NNC), a coalition of civil rights and labor organizations, which held cultural panels at its national conferences, fought segregation in the culture industries, promoted cultural education, and involved writers and artists in staging mass rallies during World War II. The formation of a black cultural front is examined by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington. While none of them were card-carrying members of the Communist Party, they all participated in the Left at one point in their careers. Interestingly, they all turned to creating popular culture in order to reach the black masses, who were captivated by the movies, radio, newspapers, and detective novels. There are chapters on the Hughes’ “Simple” stories, Himes’ detective fiction, and Harrington’s “Bootsie” cartoons. Collectively, the experience of these three figures contributes to the story of a “long” movement for African American freedom that flourished during the 1930s, 1940s, and 1950s. Yet this book also stresses the impact that McCarthyism had on dismantling the Black Left
Cartoonist · Communism · Front (military) · Great Depression · Media studies · Newspaper · Political science · Politics · Sociology · White (mutation) · Engineering · Gender Studies · History · Law · Race, History, and American Society · 20th century · African American authors · african american authors, history and criticism · African americans · American literature · History and criticism · Intellectual life
Slave Narratives and Neo-Slave Narratives
Revolutionizing Cultural Pluralism
Subterranean Sound, Expatriation, and the Metaphor of Home
The Cambridge Companion to the Literature of the American South
Turning Poetry into Bread
Langston Hughes’s Constructivist Poetics
Gwendolyn Bennett and Juanita Harrison
De la marge à l'avant-garde
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,62 |
| Citation span | 2013 - 2022 (10) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |