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Dancing with the Revolution

Power, Politics, and Privilege in Cuba

Bibliographic Data

ID19996484
AuthorsElizabeth B Schwall (corresponding author)
Year2021
Publication date2021-05-10
Open AccessNo
TypeBOOK
VenueDancing with the Revolution (SOURCE_BOOK)
PublisherUniversity of North Carolina Press (PUBLISHER • US)
DOI10.5149/northcarolina/9781469662978.001.0001
OpenAlexW4285466921
ISBN9781469662978
Open LibraryOL34688541M
LanguageEN
Citations received3

This book aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. This history of staged performance in ballet, modern dance, and folkloric dance analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, it argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, the book shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world

Aesthetics · Art · Choreography · Concert dance · Dance · Media studies · Modern dance · Political science · Politics · Power (physics) · Prejudice (legal term) · Sociology · Solidarity · Visual arts · Cuban History and Society · Diversity and Impact of Dance · Gender Studies · Law · Theater, Performance, and Music History · Recreation

  • Visceral Data for Dance Histories

    Open Access•Harmony Bench, Kate Elswit•TDR/The Drama Review•2022

  • Mis-step as Global Encounter

    Open Access•Fangfei Miao•Dance Research Journal•2022

  • Modes of embodiment

    Ruxandra Ana•Identities•2025

Citations per year0.75
Citation span2022 - 2025 (4)
Highly citedNo

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