Echoes of History
Naxi Music in Modern China
Datos Bibliográficos
| ID | 20006361 |
|---|---|
| Autores | Helen Rees (0000-0002-8469-7487, autor de correspondencia) |
| Año | 2000 |
| Páginas | 278 |
| Fecha de publicación | 2000-11-30 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Echoes of history (SOURCE_BOOK) |
| Editorial | Oxford University PressNew York, NY (PUBLISHER) |
| DOI | 10.1093/oso/9780195129496.001.0001 |
| OpenAlex | W4388221934 |
| Open Library | OL15494800M |
| ISBN | 9780195129496 |
| Idioma | EN |
| Citas recibidas | 20 |
Based on extensive fieldwork and documentary research in China, this book is a chronicle of the musical history of Lijiang County in China’s southern Yunnan Province. It focuses on Dongjing music, a repertoire borrowed from China’s Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority’s assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from “rough” or “simpler” indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities. The first in English on this rich musical tradition, this book is also unique in providing a complete history of the music in a single region in China over the twentieth century. It integrates individual, local, and national histories with musical experience and musical change. Ethnic music in China provides a vivid example of the tremendous cultural changes over the past century, and the tradition continues to evolve as China encourages ethnic diversity within a unified socialist nation. The book includes a case study of China’s tourist trade and its policies toward minorities
Archaeology · Art · China · Entertainment · Ethnic group · Geography · Indigenous · Literature · Lyrics · Music history · Musical · Naxi · Political science · Popular music · Sociology · Anthropology · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Law · Vietnamese History and Culture Studies · Folk music · Folk music, history and criticism · History and criticism · Lijiang Naxizu Zizhixian · Music · Music, chinese · Naxi (Chinese people)
Peripheries and interfaces
The Past in Music
A wooden manuscript from late Qing Yunnan(救世鴻文)
The sounds of modernity in Chinese pop music
When the Global Meets the Local in Tourism—Cultural Performances in Lijiang as Case Studies
Understanding China's Minorities Through Learning Chinese
Christian Hymns as Theological Mediator
Hindu Nationalism and North Indian Music in the Global Age
Eurasian Musical Journeys
Non-Western national music and empire in global history
Ethnic tourism and Folksongs
The Anthropology of Reform and the Reform of Anthropology
Remaking social boundaries
Manufacturing Naxi’s original ecological culture in contemporary China
The age of consent
Margins and Centers
Tourisme de masse et identité sur les marches sino-tibétaines
Music and the Global Order
The Emergence of Indigeneity
The Political Economy of Ethnicity in Yunnan's Lijiang Basin
| Obras citantes distintas | 20 |
|---|---|
| Citas por año | 0,8 |
| Intervalo de citas | 2001 - 2023 (23) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 20 |