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The Sensuous Cinema of Wong Kar-wai

Film Poetics and the Aesthetic of Disturbance

Bibliographic Data

ID20011470
AuthorsGary Bettinson (0000-0002-7645-9075, corresponding author)
Year2014
Pages156
Publication date2014-11-05
Open AccessNo
TypeBOOK
VenueThe sensuous cinema of Wong Kar-Wai (SOURCE_BOOK)
PublisherUniversity of Lancaster (PUBLISHER • GB)
OpenAlexW1007098105
ISBN9789888139293
Open LibraryOL30830825M
LanguageEN

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and "disturbance" achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular

Aesthetics · Art · Art history · Filmmaking · Literature · Masking (illustration) · Movie theater · Narrative · Poetics · Poetry · Style (visual arts) · Visual arts · Hong Kong and Taiwan Politics · china · Criticism and interpretation · Kar-wai Wong (1958-) · Motion pictures · Geology

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