Japanese Cinema Goes GlobalFilmworkers' Journeys
Filmworkers' Journeys
Bibliographic Data
| ID | 20028839 |
|---|---|
| Authors | Yoshiharu Tezuka (corresponding author) |
| Year | 2011 |
| Pages | 200 |
| Publication date | 2011-11-18 |
| Open Access | No |
| Type | BOOK |
| Venue | Japanese Cinema Goes Global (SOURCE_BOOK) |
| Publisher | Hong Kong University Press (PUBLISHER) |
| DOI | 10.5790/hongkong/9789888083329.001.0001 |
| OpenAlex | W2502899781 |
| ISBN | 9789888083329 |
| Open Library | OL45645992M |
| Language | EN |
| Citations received | 11 |
Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and unique first-person observations drawn from years of working within the international industry of Japanese film, this book aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does this mean for Japan's national culture and the traditional sense of national belonging among Japanese people
Art · Art history · Economic geography · Epistemology · Film industry · Geography · Globalization · Japanese culture · Japanese studies · Literature · Media studies · Movie theater · Political science · Sociology · Subjectivity · Asian Culture and Media Studies · Gender Studies · History · Japanese History and Culture · Law · Culture and globalization · Motion picture industry · Motion pictures · Motion pictures and globalization · Social aspects
L’estetica del vuoto Vuoti, pieni, suoni, silenzi, presenze, assenza
Home birth, world cinema
Japan and the “Transnational Cinema”
The World Screen
“Modern Nature”
Southeast Asian Film Festival
Naomi Kawase’s “Cinema of Place”
Bibliography for the Study of Asian Culture(s) and Globalization
The interstitial feminine and male dominance in Rashōmon
Rajnikant in Japan
A Discursive History of Hawai`i as Paradise in Japanese Cinema
| Citations per year | 0.85 |
|---|---|
| Citation span | 2013 - 2023 (11) |
| Highly cited | No |