Snap to Grid
A User's Guide to Digital Arts, Media, and Cultures
Datos Bibliográficos
| ID | 20032393 |
|---|---|
| Autores | Peter Lunenfeld (autor de correspondencia) |
| Año | 2000 |
| Páginas | 252 |
| Fecha de publicación | 2000-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Snap to Grid (SOURCE_BOOK) |
| Editorial | The MIT Press (PUBLISHER • US) |
| DOI | 10.7551/mitpress/6279.001.0001 |
| OpenAlex | W1514922565 |
| Open Library | OL10237293M |
| ISBN | 9780262278652 |
| Idioma | EN |
| Citas recibidas | 25 |
A vibrant guide to the artistic, cultural, and social faces of the new media.In Snap to Grid, an idiosyncratic guide to the interactive, telematic era, Peter Lunenfeld maps out the trajectories that digital technologies have traced upon our cultural imaginary. His clear-eyed evaluation of new media includes an impassioned discussion—informed by the discourses of technology, aesthetics, and cultural theory—of the digital artists, designers, and makers who matter most. "Snap to grid" is a command that instructs the computer to take hand-drawn lines and plot them precisely in Cartesian space. Users regularly disable this function the moment they open an application because the gains in predictability and accuracy are balanced against the losses of ambiguity and expressiveness. Lunenfeld uses "snap to grid" as a metaphor for how we manipulate and think about the electronic culture that enfolds us. In this book he snaps his seduction by the machine to the grid of critical thinking. How can we compare new media to established media? Must we revert to a default dichotomy between utopia and desolation, the notion that media, even digital media, by themselves can redeem or damn us? As he answers these and other questions, Lunenfeld takes into account the post-1989 politico-economic context in which new media have developed and grounds the insights of theory in the constraints of production. Artists discussed include Mark Amerika, Char Davies, Hollis Frampton, William Gibson, Gary Hill, Perry Hobermann, JODI, Christian Möller, Adam Ross, Jennifer Steinkamp, Stelarc, and Diana Thater
Aesthetics · Ambiguity · Art · Art history · Context (archaeology) · Digital media · Media studies · Metaphor · Sociology · Utopia · World Wide Web · Computer Science · Digital Games and Media · History · Philosophy · 20th century · Applications of Computing · Art & Art Instruction · Art, modern · Computers · Computers & the internet · Computers and civilization · Computers and Society · Cultural studies · Culturele aspecten · General · History - Modern (Late 19th Century to 1945) · Informatietechnologie · Interactive multimedia · Kunst · Massamedia · Media Studies - Electronic Media · Médias numériques · Methodology · Modern Art · Multi-Media Hardware & Software · Multimedia · Multimedia systems · Ordinateurs et civilisation · Site Design · Social Science · Subjects & Themes - General · User-generated content · Web
Internet au musée
Understanding hypertext cognition
Quête du public et tactiques de fidélisation
The Selfie Generation
Screens - The Place of the Image in Digital Culture
My Only Sunshine
Virtual Cultures
Performative Uses of Space in Mixed Media Environments
What's New for Culture in the New Economy?
Slowing Down Society? Theoretical Reflections on Social Deceleration in Pandemic Times (and Beyond)
Electrifying the Enlightenment
Imagining the Image
Moving Stills
Immersed In Time
Media Design
Legitimacy, self-interpretation and genre in media industries
No Way Back – Reflections on the Future of the African Photographic Archive
Speed up or slow down? Social theory in the information age
The Researcher and the Never-Ending Field
Formuler des promesses technologiques à l’aide de démos
Sociology and, of and in Web 2.0
Toward a Sociology of Public Demonstrations
Ethnography goes online
Doing digital team ethnography
The Aesthetic Of Failure
| Obras citantes distintas | 25 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2001 - 2022 (22) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 19 |