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Concentrationary cinema

Aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Bibliographic Data

ID20032618
AuthorsGriselda Pollock, Maxim Silverman
Year2011
Pages358
Publication date2011-01-01
Open AccessNo
TypeBOOK
VenueAesthetics as political resistance in Alain Resnais's Night and fog (1955) (SOURCE_BOOK)
PublisherBerghahn Books (PUBLISHER • GB)
OpenAlexW628216879
ISBN9780857453525
Open LibraryOL24853887M
LanguageEN

Night and Fog: A History of Gazes Sylvie Lindeperg Chapter 2. Memory of the Camps Kay Gladstone Chapter 3. Opening the camps, closing the eyes: image, history, readability Georges Didi-Huberman Chapter 4. Resnais and the Dead Emma Wilson Chapter 5. Night and Fog and the Concentrationary Gaze Libby Saxton Chapter 6. Auschwitz as Allegory in Night and Fog Deborati Sanyal Chapter 7. Night and Fog and Posttraumatic Cinema Joshua Hirsch Chapter 8. Fearful imagination: Night and Fog and concentrationary memory Max Silverman Chapter 9. Disruptive Histories: Toward a Radical Politics of Remembrance in Alain Resnais's Night and Fog Andrew Hebard Chapter 10. Cinema as a Slaughter bench of History: Night and Fog John Mowitt Chapter 11. Death in the Image: The Responsibility of Aesthetics in Night and Fog (1955) and Kapo (1959) Griselda Pollock Notes on Contributors Bibliography Index

Art · Art history · Movie theater · Pollock · Art, Politics, and Modernism · French Historical and Cultural Studies · Italian Fascism and Post-war Society · 1939-1945 · Aesthetics · Alain Resnais (1922-) · alain Resnais (1922-2014) · Criticism and interpretation · Film criticism · History · Holocaust, jewish (1939-1945), in motion pictures · Jewish (1939-1945), in motion pictures Holocaust · Memory in motion pictures · Motion pictures · Motion pictures and the war · Motion pictures, aesthetics · Nuit et brouillard (Motion picture) · World War · World war, motion pictures and the war

Highly citedNo

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