The Oxford Handbook of Chinese Cinemas

Dados Bibliográficos

ID20032716
AutoresEileen Cheng-Yin Chow
EditoresCarlos Rojas (0000-0002-6187-5797)
Ano2013
Data de publicação2013-04-11
Open AccessNão
TipoBOOK
PeriódicoOxford Handbook of Chinese Cinemas (SOURCE_BOOK)
EditoraOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780199765607.001.0001
OpenAlexW381281552
ISBN9780199765607
IdiomaEN
Citações recebidas25

HISTORY 1) Jianhua Chen, D. W. Griffith and the Rise of in Early 1920s Shanghai 2) Kristine Harris, Ombres Chinoises: Split-Screens and Parallel Lives in Love and Duty 3) David Der-wei Wang, Fei Mu, Mei Lanfang, and the Polemics of Screening China 4) Jie Li, National for a Puppet State: Manchurian Motion Picture Association 5) Yomi Braester Genealogy of Cinephilia in the Maoist Period 6) Poshek Fu Cold War Hong Kong and Mid-twentieth Century Mandarin Cinema 7) Tsungyi Michelle Huang Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema 8) Song Hwee Lim Taiwan Cinema: Small Nation with Soft 9) Michael Berry Chinese with Hollywood Characteristics, or How Karate Kid became a 10) Pheng Cheah, as Picture and Ruination: On Jia Zhangke's Still Life as World Cinema FORM 1) Stephen Teo, The Opera in Cinema: Cultural Nationalism and Form 2) Emilie Yueh-yu Yeh, Small History of Wenyi 3) Ban Wang, Art, Politics, and Internationalism: Korean War in Cinema 4) Gary Gang Xu, Edification through Affection: Cultural Revolution Films, 1974-76 5) Michael Eng, Reforming Vengeance: Kung Fu and the Racial Melancholia of Masculinity 6) Sean Metzger Desire and Distribution: Queer/Chinese/Cinema 7) Yingjin Zhang, Thirdspace Flows and Places: Independent Documentary and Social Theories of Space and Locality 8) Ying Zhu, From Anticorruption to Officialdom: Transformation of Dynasty TV Drama 9) Audrey Yue, New Media: Large Screens in China 10) Paola Voci, Online Small Screen Cinema: of Attractions and the Emancipated Spectator STRUCTURE 1) Jason McGrath Acting Real: Cinema, Stage, and the Modernity of Performance in Silent 2) James Tweedie, Edward Yang and Taiwan's Age of Auteurs 3) Darrell William Davis, Marriage of Convenience: Musical Moments in Films 4) Zhiwei Xiao Policing in Early 20th Century China, 1905-1923 5) Laikwan Pang, Between Will and Negotiation: Policy in the First Three Years of People's Republic of China 6) Rey Chow, Fetish Power Unbound: A Small History of 'Woman' in Cinema 7) Louisa Schein, Ethnographic Representation Across Genres: Culture Trope in Contemporary Mainland Media 6) Andy Rodhekohr, Conjuring the Masses: Spectral / Spectacular Crowd in 9) Kwai-Cheung Lo, The Idea of Asia(nism) and Trans-Asian Productions 10) Eugene Wang, Film and Contemporary Art: Mediums and Remediation 11) Ying Qian, Crossing the Same Twice: Documentary Re-enactment and the Founding of PRC Documentary Cinema 12) Yiman Wang, Remade in China: in the Age of Blockbuster 13) Carlos Rojas, Cinematic Encounters in Tsai Ming-liang's River

Art · Art history · China · Hollywood · Movie theater · National cinema · Opera · Cinema and Media Studies · History · Hong Kong and Taiwan Politics