Pontic dance

Feeling the absence of homeland

Bibliographic Data

ID20039988
AuthorsValerie Liddle (0000-0002-3386-349X, corresponding author)
Year2016
Pages49-66
Publication date2016-10-15
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueEmotions, Senses, Spaces (SOURCE_BOOK)
PublisherUniversity of Adelaide Press (PUBLISHER • AU)
DOI10.20851/emotions-04
OpenAlexW2520123507
ISBN9781925261271
LanguageEN
References cited14

Pontic dance originated in the Pontos area of northern Turkey. It survived a genocide and exile of Pontians from that region in the 1920s as well as their migration to Australia thirty to forty years later. In this chapter, I discuss how Pontic dance, in both its choreographic and participatory modes, embodies the loss Pontians feel they have suffered as a result of these ruptures. Pontians assert that it is necessary to have a certain 'feel' in order to dance in an authentic way. Although this 'feel' may manifest itself in the bodily movements of the dance, it is an expression that comes from a sense of loss that Pontians inwardly feel and express through dance, particularly a loss of place and a waning of cultural practice. This loss is referenced in two ways: first, historically, the dances, their execution, costumes and musical instruments embody the loss of the former homeland. Second, the movements of the dance outwardly express the passion the dancers feel about what it means to be Pontian. This chapter explores how the performance space composed of the emotion and sensation of the dance makes present the absence of a way of life in Greece and the loss of the original homeland

Art · Dance · Feeling · Homeland · Political science · Politics · Visual arts · Cyprus History, Politics, Society · Diverse Musicological Studies · Philippine History and Culture · Psychology · Social Psychology

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