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Chinese Nationalism in Harmony with European Imperialism

Historical Representation at the Macau Museum

Bibliographic Data

ID20041412
AuthorsKam-Yee Law (0000-0002-9985-7236, corresponding author)
Year2012
Pages165-179
Publication date2012-01-01
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
VenueChina's Rise to Power (SOURCE_BOOK)
PublisherPalgrave Macmillan US (PUBLISHER)
DOI10.1057/9781137276742_8
OpenAlexW2764542471
ISBN9781137276742
LanguageEN
References cited8

Museum enterprise is an integral part of modern states, using the past to construct the present, promoting nationalism and patriotic citizenship, and appealing to domestic as well as foreign visitors. Objects and images are carefully selected to foster a sense of historical and cultural consciousness among the people. Many antiques and relics that the state preserves may be of little humanistic significance, but are intended to create national unity and legitimate the current regime against other political rivals (Hamlish, 2000; Coombes, 1988; Kaplan, ed., 1994). History museums in contemporary China are no exception (Cohen, 2009; Vickers, 2007; Carroll, 2005; Denton, 2005; Steiner, 1995). As Kelvin C. K. Cheung argues in chapter 2, after losing the civil war, Chiang Kai-Shek made the Republic of China on Taiwan the guardian of Han Chinese civilization, and founded the National Palace Museum in Taipei to display a thousand years of unbroken Chinese history. In a similar fashion, the Communists on the Mainland created a network of museums to eradicate feudalism and implement revolutionary change. The Museum of the Chinese Revolution in Tiananmen Square adhered to the red line of Maoism from the 1950s to the 1970s, and the exhibitions changed as frequently as the dominant ideology (Hung, 2005).KeywordsSoft PowerChinese LeaderForeign VisitorCHINESE NationalismTrade CooperationThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves

Ancient history · Art · Art history · China · Civilization · Exhibition · Feudalism · Ideology · Nationalism · Political science · Politics · Visual arts · Chinese history and philosophy · Cultural Heritage Management and Preservation · History · Japanese History and Culture · Law

  • The Balance of Power in Asia-Pacific Security

    Liselotte Odgaard•Korean Journal of Defense Analysis•2007

  • Museums, Memorial Sites and Exhibitionary Culture in the People's Republic of China

    Open Access•Kirk A Denton•The China Quarterly•2005

  • Behind the Scenes at the Museum

    Open Access•Rana Mitter•The China Quarterly•2000

  • Global Culture, Modern Heritage

    Tamara Hamlish•Museums and Memory•2000

  • Displaying the Past to Serve the Present

    John M Carroll•Twentieth-Century China•2005

  • Museums and the Formation of National and Cultural Identities

    Annie E Coombes•Oxford Art Journal•1988

Citation velocityhistorical
Highly citedNo

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