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Spirituality and the Semiotics of Russian Culture

From the Icon to Avant-Garde Art

Bibliographic Data

ID20041624
AuthorsOleg Tarasov (0000-0002-5806-6542, corresponding author)
Year2017
Pages115-128
Publication date2017-11-13
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
VenueModernism and the Spiritual in Russian Art (SOURCE_BOOK)
PublisherOpen Book Publishers (PUBLISHER)
DOI10.11647/obp.0115.05
OpenAlexW2769194103
ISBN9781783743384
LanguageEN
References cited56

This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia

Aesthetics · Art · Art history · Avant garde · Epistemology · Icon · Literature · Semiotics · Spirituality · Visual arts · Art, Politics, and Modernism · Computer Science · European Linguistics and Anthropology · Philosophy · Religious Studies and Spiritual Practices

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Citation velocityhistorical
Highly citedNo

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