Figurational Analysis of Michael Haneke’s Time of the Wolf

Datos Bibliográficos

ID20043440
AutoresIrem Özgören Kınlı (0000-0002-9774-6567, Izmir Kâtip Çelebi University, autor de correspondencia)
Año2017
Páginas33-52
Fecha de publicación2017-01-01
Peer ReviewedSí
Open AccessSí
TipoCHAPTER
RevistaNorbert Elias and Violence (SOURCE_BOOK)
EditorialPalgrave Macmillan US (PUBLISHER)
DOI10.1057/978-1-137-56118-3_3
OpenAlexW2603394650
ISBN9781137561183
IdiomaEN
Citas recibidas1
Referencias citadas41

Inspired by “possible symptoms of decivilising processes” (Mennell, International Sociology 5(2):205–223, 1990) and by “a workable synthesis”of “universally applicable criteria for doing figurational process sociology” (Wouters, Human Figurations: Long-Term Perspectives on the Human Condition 3(1), 2014), this chapter analyzes how changes in structural processes, in manners/culture, in social habitus and in modes of knowledge are depicted in Michael Haneke’s movie Le temps du loup (2003) [The Time of the Wolf]. Four conceptual tools are applied: change in pattern of co-operation and competition; we–I balance between established and outsider groups; changes in control of nature, in social controls and in self-controls; and changes in modes of knowledge, and the balance of involvement and detachment

Aesthetics · Art · Biology · Environmental ethics · Epistemology · Habitus · Social science · Sociology · Contemporary Sociological Theory and Practice · Gender Studies · Philosophy · Psychology · Social and Cultural Dynamics · Sociology and Norbert Elias · Ecology