Improvising Digital Culture
Bibliographic Data
| ID | 20043445 |
|---|---|
| Authors | Paul D Miller (0000-0003-0443-3957), Visvanatha Iyer (0000-0002-2755-7330), Vijay Iyer |
| Year | 2013 |
| Pages | 225-243 |
| Publication date | 2013-05-17 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | People Get Ready (SOURCE_BOOK) |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.2307/j.ctv125jp1r.17 |
| OpenAlex | W2499652662 |
| ISBN | 9780822399728 |
| Language | EN |
| References cited | 16 |
I was sitting in on the previous panel, and I'd like to pick up from what Natasha Pravaz was speaking about. She referred to Richard Schechner, and he emphasizes the idea of performance and the performative moment capturing the subjunctive mood. Schechner is referring to the aspect of ritual or play that comes to be in performance. The subjunctive mood means that somehow there's a degree of fantasy involved [in the performance]. Schechner is specifically referring to Laurence Olivier's performance in the play Hamlet: Olivier both is and is not Hamlet at that moment
Aesthetics · Art · Fantasy · Improvisation · Literature · Mood · Performative utterance · Physics · Visual arts · Cinema and Media Studies · Cultural Industries and Urban Development · Psychology · Social Psychology · Theatre and Performance Studies
Identity for Sale
Cultural Policy and Urban Regeneration in Western European Cities
A Roundtable on Ken Burns's Jazz
Building Utopia
The Tradition of All the Dead Generations
Cultural industries and cultural policy
Detour or dead-end? Contemporary cultural theory and the search for new cultural policy models
Doing a Florida thing
Black Music as an Art Form
Interruptions
Measure for Measure
The Politics of Cultural Policy in Urban Regeneration Strategies
From cultural to creative industries
Struggling with the Creative Class
Space is the (Non)Place
The Evidence of Experience
| Citation velocity | historical |
|---|---|
| Highly cited | No |