Learning from Bruce Lee
Bibliographic Data
| ID | 20044530 |
|---|---|
| Authors | Meaghan Morris (0000-0001-7288-1001, corresponding author) |
| Year | 2003 |
| Pages | 187-202 |
| Publication date | 2003-08-29 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | Keyframes (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203165195-19 |
| OpenAlex | W2742025925 |
| ISBN | 9780203165195 |
| Language | EN |
| Citations received | 4 |
In recent years I have been troubled by the return of a ploddingly sociological approach to cinema in academic as well as media criticism. By plodding, I do not mean a sociology which goes out to explore the dense social contexts of film consumption today; in cinema as distinct from television studies, we’ve had very little of that. I mean a strictly armchair way of seeing or not-seeing films which first views them as evidence of some social or political mess, then treats them as guilty stand-ins for that mess-and wages a war of attitude on other viewers
Art history · Psychoanalysis · Sociology · History · Media Studies and Communication · Music History and Culture · Philosophy · Political and Economic history of UK and US · Psychology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2004 - 2012 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |