Musical Property Rights Regimes in Tanzania and Kenya after TRIPS
Bibliographic Data
| ID | 20046815 |
|---|---|
| Authors | Alex Perullo, Andrew J Eisenberg (0000-0001-6976-7398) |
| Year | 2015 |
| Pages | 148-164 |
| Publication date | 2015-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | The SAGE Handbook of Intellectual Property (SOURCE_BOOK) |
| Publisher | SAGE Publications Ltd (PUBLISHER • GB) |
| DOI | 10.4135/9781473910027.n9 |
| OpenAlex | W2494134162 |
| ISBN | 9781473910027 |
| Language | EN |
| Citations received | 2 |
Despite the passage of relatively uniform copyright legislation throughout East Africa and the formation of regional organizations meant to further standardize these laws, the protection of musical works in East African creative industries has varied significantly within and between Tanzania and Kenya. While enforcement remains weak throughout East Africa, each country has also taken a different path in the implementation of copyright policies meant to support musical property rights. These different trajectories can be explained, in large part, by the particular political, social and economic paths taken by East African countries toward the neoliberal present
Art · Environmental planning · Epistemology · Geography · Intellectual property · Law and economics · Musical · Political science · Property (philosophy) · Sociology · Tanzania · TRIPS architecture · Visual arts · Computer Science · Diverse Musicological Studies · Law · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2018 - 2020 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |