Japan beating
The making and marketing of professional taiko music in Australia
Bibliographic Data
| ID | 20054067 |
|---|---|
| Authors | HUGH D E FERRANTI (corresponding author) |
| Year | 2007 |
| Pages | 89-107 |
| Publication date | 2007-01-24 |
| Open Access | No |
| Type | CHAPTER |
| Venue | Popular Culture and Globalisation in Japan (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203029244-12 |
| OpenAlex | W3131885783 |
| ISBN | 9780203029244 |
| Language | EN |
| Citations received | 3 |
In 2001 I wrote an article on Japanese popular music in which I drew attention to ways in which pop that is apparently mimetic of Euro-American styles – not aurally marked as music that ‘sounds like’ the non-Western people who make it – is nonetheless indigenously constituted and culturally determined.1 In thinking about musical performance by Australians that sounds and looks Japanese, one can analyse this kind of apparently mimetic activity from the other side, as an instance of the processes whereby musical styles and traditions are invested with new meanings in terms of cultural and individual identities ‘inside’ and ‘outside’ Japan
Advertising · Business · Asian Culture and Media Studies · Hong Kong and Taiwan Politics · Music History and Culture · Marketing
| Citations per year | 0.17 |
|---|---|
| Citation span | 2008 - 2013 (6) |
| Highly cited | No |