Museums, African collections and social justice
Bibliographic Data
| ID | 20059280 |
|---|---|
| Authors | Helen Mears, Wayne Modest |
| Year | 2013 |
| Pages | 342-357 |
| Publication date | 2013-05-20 |
| Open Access | No |
| Type | CHAPTER |
| Venue | Museums, equality, and social justice (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203120057-32 |
| OpenAlex | W2915010562 |
| ISBN | 9780203120057 |
| Language | EN |
| Citations received | 4 |
| References cited | 1 |
Over the past few decades museums have been undergoing significant changes in how they relate to their numerous publics. From monologue (producing narratives for) to dialogue (producing narratives with); from mono-vocal to poly-vocal, these changes in thinking and practice can be seen to coincide with (and to, in some ways, result from) increasing demands from museum publics to have a say in how ‘their’ museums function to serve them, as well as a critical reflection on museum practice from academics and museum practitioners alike
Criminology · Economic Justice · Geography · Political science · Social justice · Sociology · Anthropological Studies and Insights · Cultural Heritage Management and Preservation · Law · Museums and Cultural Heritage
| Citations per year | 0.67 |
|---|---|
| Citation span | 2020 - 2025 (6) |
| Highly cited | No |