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The Fight of Telephus

Poetic Visions behind the Pergamon Frieze

Bibliographic Data

ID20063320
AuthorsLaura Lulli (0000-0002-0216-8574, corresponding author)
Year2016
Pages50-68
Publication date2016-01-01
Open AccessYes
TypeCHAPTER
VenueThe Look of Lyric : Greek Song and the Visual (SOURCE_BOOK)
PublisherBrill (PUBLISHER • NL)
DOI10.1163/9789004314849_004
OpenAlexW2558842832
ISBN9789004314849
LanguageEN
Citations received1
References cited4

Tracing the possible reciprocal influences between the visual arts and literary works is always an interesting challenge, since it enables one to highlight the huge variety of suggestions, influences, tendencies, and aims that lie behind a work of art.1 This process is even more complex when it is applied to the ancient world: in this case it is essential to exercise caution, since the scholarly tradition often has to deal with influences which are neither immediately explicit nor hardly ever documented by 'statements of intent' on the part of the artists. However, even if it may not be possible to pinpoint in a figurative work an explicit allusion to a literary work, nevertheless it is worthwhile to try to compare the two art forms.2 In doing so it is important to regard them not as two distinct objects connected merely by the attempt at comparison proposed by the scholar, but rather as two interconnected spheres, sometimes moving in parallel and sometimes intersecting with a lesser or greater degree of selfconsciousness.3

Archaeology · Art · Art history · Battle · Elegiac · Elegy · Frieze · Iconography · Literature · Mythology · Narrative · Poetry · Politics · Ancient Egypt and Archaeology · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Law

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  • Homer between History and Fiction in Imperial Greek Literature

    Open Access•Lawrence Kim, Lawrence Young Kim•Homer Between History and Fiction…•2010

  • Aristophanes and the Carnival of Genres

    Willeon Slenders•Mnemosyne•2009

Citations per year0.25
Citation span2022 - 2022 (1)
Highly citedNo

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