Chapter 7. Friction, Collision, and the Grotesque
The Dystopic Fragments of Bombay Cinema
Bibliographic Data
| ID | 20068917 |
|---|---|
| Authors | Ranjani Mazumdar (0009-0000-7056-8265, corresponding author) |
| Year | 2010 |
| Pages | 150-184 |
| Publication date | 2010-12-31 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | Noir Urbanisms (SOURCE_BOOK) |
| Publisher | Princeton University Press (PUBLISHER • US) |
| DOI | 10.1515/9781400836628.150 |
| OpenAlex | W2506877533 |
| ISBN | 9781400836628 |
| Language | EN |
| Citations received | 6 |
Collision · Collision detection · Collision response · Computer security · Classical Antiquity Studies · Computer Science
Delineating Delhi
Depicting the Grotesque Characters and Settings in Khushwant Singh’s “Kusum” and “The Great Difference” Short Stories
Dark and gritty/slick and glossy
New Bollywood’ and the emergence of a ‘Production House’ culture
Towards neurotic realism
Toward a New Junk Aesthetics? Narratorial Predicaments in Contemporary Alternatives in/to Bollywood
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,6 |
| Citation span | 2016 - 2022 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |