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Anxious Affinities

Gender and Déréliction in Sarah Waters’s Neo-Forties Novels

Bibliographic Data

ID20076955
AuthorsJessica Gildersleeve (0000-0001-7694-5615, University of Southern Queensland, corresponding author)
Year2016
Pages81-96
Publication date2016-01-01
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
VenueSarah Waters and Contemporary Feminisms (SOURCE_BOOK)
PublisherPalgrave Macmillan UK (PUBLISHER)
DOI10.1057/978-1-137-50608-5_5
OpenAlexW2479766163
ISBN9781137506085
LanguageEN
Citations received1

Women’s writing of the 1940s frequently expresses anxiety—about war, about children, about work, about independence, about social rights—to the extent that it adopts this as a formal mode. Rosamond Lehmann’s short stories, The Gypsy’s Baby (1946), for example, convey the angst of the wartime parent for the wartime child in their depiction of the mother as sole carer in a dangerous environment. Likewise, Elizabeth Bowen’s novel, The Heat of the Day (1949), describes the period of the London Blitz and the vulnerability of women alone in terms of an anxious sense of unknowing. Agatha Christie’s fiction, too, repeats the worry that one’s contemporaries might represent a threat as they are transformed from friend to stranger in the aftermath of war

Aesthetics · Agatha · Anxiety · Art · Depiction · Literature · Period (music) · Psychiatry · Psychoanalysis · Sociology · Worry · African history and culture studies · Evelyn Waugh and Hans Urs von Balthasar Studies · Gender Studies · History · Psychology · Travel Writing and Literature

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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