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From Drunkenness to a Hangover

Maenads as personifications

Bibliographic Data

ID20079189
AuthorsAmy C Smith (0000-0003-0224-428X, corresponding author)
Year2017
Pages211-230
Publication date2017-07-12
Open AccessNo
TypeCHAPTER
VenuePersonification in the Greek World (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9781315247014-15
OpenAlexW2905216567
ISBN9781315247014
LanguageEN
Citations received1

The depiction of pots with named maenads—that is, characters with maenadic attributes and labels—is a Classical phenomenon that runs parallel to the depiction of personifications in Athenian art. This chapter suggests that the evolutionary history of visual personifications in Classical Athens. The scene on the calyx krater in Moscow is almost identical except that the one labelled maenad on that vase is Methyse (Drunkenness). Methyse emphasizes a light-hearted, but no less important aspect of Dionysos, the inebriation produced by wine, of which Dionysos was patron. Local personifications may also be represented as maenads. Three Greek islands, Delos, Euboia and Lemnos, appear on the Eretria Painter's cup in Warsaw as maenads engaged in a dance with their mother, Tethys, as well as some maenad with musical names and satyrs

Global Maritime and Colonial Histories · Materials Science

  • Revue des actes de colloques et ouvrages collectifs

    Carole Bonnet, André Motte et al.•Kernos•2007

Citations per year0.05
Citation span2007 - 2007 (1)
Highly citedNo

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