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A general Introduction for my Work

Bibliographic Data

ID20080025
AuthorsW B Yeats (corresponding author)
Year1961
Pages509-526
Publication date1961-01-01
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueEssays and Introductions (SOURCE_BOOK)
PublisherPalgrave Macmillan UK (PUBLISHER)
DOI10.1007/978-1-349-00618-2_40
OpenAlexW2412763039
ISBN9781349006182
LanguageEN
Citations received6

A poet writes always of his personal life, in his finest work out of its tragedy, whatever it be, remorse, lost love, or mere loneliness; he never speaks directly as to someone at the breakfast table, there is always a phantasmagoria. Dante and Milton had mythologies, Shakespeare the characters of English history or of traditional romance; even when the poet seems most himself, when he is Raleigh and gives potentates the lie, or Shelley 'a nerve o'er which do creep the else unfelt oppressions of this earth,' or Byron when 'the soul wears out the breast' as 'the sword outwears its sheath,' he is never the bundle of accident and incoherence that sits down to breakfast; he has been reborn as an idea, something intended, complete. A novelist might describe his accidence, his incoherence, he must not; he is more type than man, more passion than type. He is Lear, Romeo, Oedipus, Tiresias; he has stepped out of a play, and even the woman he loves is Rosalind, Cleopatra, never The Dark Lady. He is part of his 1 Written for a complete edition of Yeats's works which was never produced.KeywordsSeventeenth CenturyGeneral IntroductionEnglish HistoryRoyal Irish AcademyFiring SquadThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves

Art · Art history · Cleopatra · Dream · Literature · Passion · Poetry · Psychoanalysis · Remorse · Romance · Soul · SWORD · Theology · Irish and British Studies · Philosophy · Psychology

  • What can the romantic lyric do

    Open Access•Madeleine Callaghan•Textual Practice•2023

  • The comedy of suffering

    Open Access•Piers Gray•Critical Quarterly•1991

  • The Ghost of Leo Africanus from the English to the Irish Renaissance

    Open Access•Bernadette Andrea•Postcolonial Moves•2003

  • Beckett and Begrudgery

    Open Access•Stephen Graf•SAGE Open•2015

  • Byron and His Twentieth-Century Poetic Legacy

    Open Access•Madeleine Callaghan•The Review of English Studies•2021

  • In memoriam

    Dennis Austin•The Round Table•1998

Unique citing works6
Citations per year0,17
Citation span1991 - 2023 (33)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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