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‘Prosthetic imagination’ in Greek literature 1

Bibliographic Data

ID20081346
AuthorsAnne-Sophie Noel (corresponding author)
Year2018
Pages159-179
Publication date2018-09-03
Open AccessNo
TypeCHAPTER
VenueProstheses in Antiquity (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9781351232395-8
OpenAlexW2909802006
ISBN9781351232395
LanguageEN
Citations received3
References cited1

The ‘prosthetic imagination’, which posits a symbiotic relation between body and prosthesis, has been criticised by theorists of disabilities as an idealised metaphor that masks the fact that prostheses can create rather than supply alienation and deficiency. This chapter nevertheless defends the relevance of this metaphor to ancient Greek literature. Going back to the first extant mention of prosthesis (Pindar, Olympian 1) and to what can be considered its counterparts in Greek tragedy, I show that they are striking reworkings of weapons represented as animated body-incorporations in Homer. I then propose to reassess the prosthetic metaphor in light of its meaning in Greek literature: a response to an irrepressible need to imagine sympathetic relationships between humans and the things they live with

Aesthetics · Art · Literature · Classical Antiquity Studies

  • Prostheses in Antiquity

    Jane Draycott-undifferentiated, Jane Draycott•Prostheses in Antiquity•2018

  • Minds on Stage

    Felix Budelmann, Ineke Sluiter•Minds on Stage•2023

  • The Poetics of Mutilation in Apuleius’ Tale of Thelyphron ( Met . 2,21-30)

    Open Access•Stelios Panayotakis, Athanasios Papadimitriou et al.•Ancient Narrative•2022

Citations per year0.38
Citation span2018 - 2023 (6)
Highly citedNo

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