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‘Bob Southey! – Poet Laureate’

Public and Private in Southey’s Poems of 1816

Bibliographic Data

ID20082710
AuthorsMark Storey (0000-0002-0506-7277, corresponding author)
Year2016
Pages87-100
Publication date2016-04-08
Open AccessNo
TypeCHAPTER
VenueRobert Southey and the Contexts of English Romanticism (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9781315606743-6
OpenAlexW2944910303
ISBN9781315606743
LanguageEN
Citations received1

Towards the end of 1815, Robert Southey wrote to his old friend Charles Wynn, apologizing for not calling on him on the way back from the Continent, where, with his wife, daughter Edith May, and a few friends, he had been visiting the battlefield at Waterloo. Southey himself was very conscious of the oddity of the work published in 1816 as The Poet's Pilgrimage to Waterloo; of the introductory stanzas he wrote, 'The Proem touching upon my return home and personal feelings will be obnoxious to the charge of egotism'. Southey's Laureate poems of 1816 take their place in a debate about the relation between poetry and the wider world. Byron and Southey are the poets doing what they can to confront the public and private agonies of that post-war period, in which all values seem to be inverted

Art · Literature · Nobel laureate · Poetry · American History and Culture · American Sports and Literature · Historical and Literary Studies

  • Robert Southey, William Robertson e a teoria dos quatro estágios na construção da macronarrativa da história dos autóctones americanos

    Open Access•Flávia Florentino Varella•Revista de História•2016

Citations per year0.1
Citation span2016 - 2016 (1)
Highly citedNo

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