Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Patronage and Creative Exchange

Yeats, Lady Gregory and the Economy of Indebtedness

Bibliographic Data

ID20085263
AuthorsJames Pethica (corresponding author)
Year1997
Pages168-204
Publication date1997-01-01
Peer ReviewedYes
Open AccessYes
TypeCHAPTER
VenueYeats and Women (SOURCE_BOOK)
PublisherPalgrave Macmillan UK (PUBLISHER)
DOI10.1007/978-1-349-25822-2_5
OpenAlexW4247687381
ISBN9781349258222
LanguageEN
Citations received2
References cited3

The importance of the material support that Lady Gregory provided for Yeats in the early years of their friendship was common knowledge amongst their contemporaries. John Quinn, a model patron himself, would take it as an accepted verity in 1911 that “the world of letters owes it chiefly to her that in the last ten years Yeats has done so much creative work”.1 George Moore, recalling in Ave how “life at Coole was arranged primarily to give [Yeats] an opportunity of writing poems”, likewise acknowledged that her patronage had “released the poet from the quern of daily journalism”.2 These approving commentaries, like many others since, focus exclusively on the fruitful results of Lady Gregory’s support, and, whether from a sense that questions of money were trivial in comparison to matters of art, or from a notion that such topics should simply be overlooked in good taste, the cold cash actualities of her patronage have remained decorously unmentioned. The gifts and loans which cemented the partnership in its early years invite attention on several grounds. Most obviously they are crucial to an understanding of the personal transactions which sustained and defined the friendship; but, more importantly, they were to affect in complex ways the course of the creative collaboration between the writers

Art · Art history · Cash · Economics · Friendship · General partnership · Literature · Poetry · Political science · Social science · Sociology · Taste · History · Irish and British Studies · Joseph Conrad and Literature · Law · Psychology

  • All that I Am Craving Is the Talk”

    Open Access•James Little•English Studies•2023

  • Gender, Performance, and Authorship at the Abbey Theatre

    Elizabeth Brewer Redwine•Gender, Performance, and…•2021

  • The Making of Yeats’s A Vision

    Open Access•George Mills Harper•Making of Yeats's a Vision•1987

  • Olivia Shakespear and W. B. Yeats

    Open Access•John Harwood•Olivia Shakespear and W. B. Yeats•1989

  • Castration or Decapitation

    Hélène Cixous, A Kuhn•Signs: Journal of Women in…•1981

Unique citing works2
Citations per year0,4
Citation span2021 - 2023 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

Tools

Open DOILibgen
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae