Contemporary Mainstream PRC Cinema
Bibliographic Data
| ID | 20085746 |
|---|---|
| Authors | Yomi Braester (0000-0002-2876-7495, corresponding author) |
| Year | 2011 |
| Pages | 176-184 |
| Publication date | 2011-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | CHAPTER |
| Venue | The Chinese Cinema Book (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan (PUBLISHER • GB) |
| DOI | 10.5040/9781838711337.ch-019 |
| OpenAlex | W4256491985 |
| ISBN | 9781838711337 |
| Language | EN |
| Citations received | 1 |
The critic Dai Jinhua declared in 1999, after the Chinese release of Titanic (1997), that ‘like Titanic, the Chinese film industry is sinking amidst tender feelings and happiness, almost without any measures of resistance’. Similarly, the influential Southern Weekly (Nanfang zhoumo) declared in 2002
Art · Art history · Mainstream · Movie theater · Political science · Sociology · Asian Culture and Media Studies · Law
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |