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Television Fiction

A Domain of Memory

Bibliographic Data

ID20087963
AuthorsSonja De Leeuw (corresponding author)
Year2010
Pages139-151
Publication date2010-01-01
Open AccessYes
TypeCHAPTER
VenueTelevising History (SOURCE_BOOK)
PublisherPalgrave Macmillan UK (PUBLISHER)
DOI10.1057/9780230277205_10
OpenAlexW2478355584
ISBN9780230277205
LanguageEN
Citations received2
References cited14

The most remarkable Dutch television event in 2001 was the top-listed production Wilhelmina, on the present queen’s grandmother. A conventional historical drama series in four parts, it traces the story of the queen’s life until her abdication in 1948. The series focuses especially on her role during the Second World War, reflecting the ongoing public debate on the question whether her decision to leave the country (for England) was well chosen. Its number-one ranking can be explained by the way this series brings together the two main points of reference in Dutch national history: the relationship between the state and the monarchy, and the Second World War. This series demonstrated how Wilhelmina wanted to stay to help her people, but could not due to the circumstances. Moreover, the series showed how tough her struggle was against the male politicians around her and how she demanded the utmost of her self to really become the motherly symbol of her country in the times of occupation. The popularity of the series can also be found in the way it celebrates the nation’s unity in post-modern times. It stresses the importance of historical drama in telling and retelling the stories of the recent past, from different points of view, including its controversies and its changes

Art · Drama · Fantasy · Literature · Media studies · Monarchy · Political science · Politics · Popularity · Queen (butterfly) · Sociology · State (computer science) · Symbol (formal) · Computer Science · Crime, Deviance, and Social Control · History · Law · Media Studies and Communication · Philippine History and Culture · Philosophy

  • Negotiating historical television in an era of political fragmentation and austerity

    Open Access•Sofie Vermoesen•Media Culture & Society•2026

  • The Ideologically Colonized Metropole

    Open Access•Melissa F Weiner•Sociology Compass•2014

  • Television histories

    Gary R Edgerton, Peter C Rollins•Television histories•2001

  • Modernity and self-identity

    Anthony Giddens•Modernity and self-identity•1991

  • Modernity and Self-Identity

    Anthony Giddens•New Social Theory Reader•2020

  • Het collectief geheugen

    Mark Elchardus•Tijdschrift voor Sociologie•1991

  • Docudramatizing history on TV

    Open Access•Tobias Ebbrecht-Hartmann, Tobias Ebbrecht•European Journal of Cultural…•2007

  • Global Television

    George Ritzer, Clare Barker et al.•Contemporary Sociology A Journal…•1998

  • Television Drama

    John Tulloch•Television Drama•2002

  • Imagined communities

    Benedict Anderson•Imagined communities•1991

  • New Memory

    Andrew Hoskins•Historical Journal Of Film Radio…•2001

  • Between Memory and History

    Pierre Nora•Representations•1989

  • Visions of the Past. The Challenge of Film to Our Idea of History

    Christian Delage, Robert A Rosenstone•Vingtième Siècle Revue d histoire•1996

  • Television and the Collapse of Memory

    Open Access•Andrew Hoskins•Time & Society•2004

  • Imagined Communities. Reflections on the Origin and Spread of Nationalism

    Anthony Reid, Benedict Anderson•Pacific Affairs•1985

Citations per year0.17
Citation span2014 - 2026 (13)
Highly citedNo

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