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Marianne Moore, Photography, and the Self-in-Flux

Bibliographic Data

ID20106252
AuthorsEmily Setina (Davidson College [email protected], corresponding author)
Year2006
Volume44
Issue2
Pages275-282
Publication date2006-09-01
Open AccessNo
TypeARTICLE
VenueEnglish Language Notes (JOURNAL)
Journal identifiersISSN: 0013-8282 • E-ISSN: 2573-3575
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/00138282-44.2.275
OpenAlexW2908142942
LanguageEN

Research Article| September 01 2006 Marianne Moore, Photography, and the Self-in-Flux Emily Setina Emily Setina Davidson College [email protected] Emily Setina is a visiting instructor of English at Davidson College and a doctoral candidate at Yale University. She is writing a dissertation about photography and identity in modernist literature, with particular focus on the writing of Marcel Proust, Virginia Woolf, Gertrude Stein, and Marianne Moore. Search for other works by this author on: This Site Google English Language Notes (2006) 44 (2): 275–282. https://doi.org/10.1215/00138282-44.2.275 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Emily Setina; Marianne Moore, Photography, and the Self-in-Flux. English Language Notes 1 September 2006; 44 (2): 275–282. doi: https://doi.org/10.1215/00138282-44.2.275 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsEnglish Language Notes Search Advanced Search The text of this article is only available as a PDF. Copyright © 2006 Regents of the University of Colorado2006 Article PDF first page preview Close Modal You do not currently have access to this content

Art · Art history · Citation · English language · Icon · Library science · Linguistics · Photography · Visual arts · Art, Politics, and Modernism · Computer Science · French Literature and Poetry · Philosophy · Poetry Analysis and Criticism

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