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“Broken Bits of Color in the Dirt”

Bibliographic Data

ID20106312
AuthorsJesse W Schwartz (corresponding author)
Year2021
Volume59
Issue1
Pages12-37
Publication date2021-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEnglish Language Notes (JOURNAL)
Journal identifiersISSN: 0013-8282 • E-ISSN: 2573-3575
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/00138282-8814961
OpenAlexW3149290569
LanguageEN
References cited40

This essay examines the numerous critical claims of “timeliness” around the recently recovered novel Romance in Marseille as well as Claude McKay’s own numerous commitments and challenges as they emerge therein: the multiple and enduring afterlives of slavery, the Bolshevik Revolution and the burgeoning of its stiflingly bureaucratic Thermidor under Stalin, the various theoretical and programmatic complications that issues of race and gender posed for international socialism alongside the promises and disappointments of emancipatory politics writ large. However, in attempting to adjudicate such problematics of difference, McKay also provides the outlines of a dialectical “Black Intersectional International,” thereby gesturing toward a “commonism” of the quayside

Adjudication · Aesthetics · Art · Bureaucracy · Dialectic · Dirt · Epistemology · Eurocentrism · Literature · Political science · Politics · Romance · Sociology · Writ · Engineering · Gender Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · Law · Philosophy · Postcolonial and Cultural Literary Studies · Race, History, and American Society

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