Telling her tale? Unravelling a life in conflict in Peero’s Ik Sau Saṭh Kāfiaṅ. (one hundred and sixty kafis)
Dados Bibliográficos
| ID | 20108142 |
|---|---|
| Autores | Anju Malhotra (0000-0003-0155-3531, University of Delhi, autor correspondente), Anshu Malhotra (University of Delhi) |
| Ano | 2009 |
| Volume | 46 |
| Fascículo | 4 |
| Páginas | 541-578 |
| Data de publicação | 2009-10-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | The Indian Economic & Social History Review (JOURNAL) |
| Identificadores do periódico | ISSN: 0019-4646 • E-ISSN: 0973-0893 |
| Editora | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/001946460904600403 |
| OpenAlex | W1983102840 |
| Idioma | EN |
| Citações recebidas | 4 |
| Referências citadas | 20 |
This article explores the manner in which Peero, a denizen of nineteenth century Punjab, in her 160 Kafis tries to communicate aspects of her own story and life through the diverse cultural resources at her command. The questions of self-representation and self-fashioning are central to this text, and Peero speaks of certain events in her life by relating sagas and evoking moods familiar in the cultural landscape of Punjab. Peero, self-confessedly a prostitute, and a Muslim, came to live in the middle of the nineteenth century in the Gulabdasi dera, a nominally ‘Sikh’ sect. This remarkable move, and her relationship with Guru Gulab Das, probably generated discord that pushed Peero into inserting her ‘self’ into the 160 Kafis. An attempt is made to read Peero’s crafting of her story, along with her silences, and bring out the nuances embedded in her text. The article also examines why Peero writes of her personal trauma and experience in the language of religious conflict between the ‘Hindus’ and the ‘Turaks’. This was particularly surprising as the Gulabdasi dera displayed eclecticism in its philosophical choices, and imbibed radical aspects of Vedantic monism. It also borrowed freely from hybrid religious sources including rhetoric familiar within the Bhakti movement, and the Punjabi Sufis’ anti-establishment mien
Aesthetics · Art · Eclecticism · Epistemology · Islam · Linguistics · Literature · Monism · Psychoanalysis · Representation (politics) · Rhetoric · Sociology · History · Islamic Studies and History · Law · Philosophy · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · Psychology · South Asian Studies and Diaspora
Peasants and Monks in British India
The 'Marriage' of 'Hindu' and 'Turak
A 19th-century Woman Poet of Punjab
The Emergence of Bazaar Literature
"From Punjab to "Khalistan
The Collected Essays of A. K. Ramanujan
Mystical dimensions of Islam
The Sants
Mystical Dimensions of Islam
Peasants and Monks in British India
Gurū Nānak and the Sikh Religion
Faces of the Feminine in Ancient, Medieval, and Modern India
Sex, Social Critique and the Female Figure in Premodern Punjabi Poetry
The Pre-history of ';Communalism'? Religious Conflict in India, 1700-1860
The Construction of Religious Boundaries
Bhakti Religion in North India
Genre and Devotion in Punjabi Popular Narratives
Inscribing the Other, Inscribing the Self
| Obras citantes distintas | 4 |
|---|---|
| Citações por ano | 0,29 |
| Intervalo de citações | 2012 - 2019 (8) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 4 |