University of Warwick, 21 st July 1985
Bibliographic Data
| ID | 20147000 |
|---|---|
| Authors | J J Scarisbrick (corresponding author), John Scarisbrick |
| Year | 2004 |
| Volume | 41 (Number 157 |
| Issue | 1-2 |
| Pages | 94-103 |
| Publication date | 2004-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Moreana (JOURNAL) |
| Journal identifiers | ISSN: 0047-8105 • E-ISSN: 2398-4961 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/more.2004.41.1-2.11 |
| OpenAlex | W2574630125 |
| Language | EN |
Drawing from the details contained in paintings and accounts, the author draws our attention to the considerable knowledge about Thomas More that is available. He then goes on to question why More entered politics and developed his public career? By placing More’s writings firmly in their context, the consistency of More’s political and religious presence is argued. An appeal for scholars to try to comprehend More’s perception of his time leads the writer to define the motive for More’s death as being the unity of the Christian Church
Aesthetics · Appeal · Art history · Consistency (knowledge bases) · Context (archaeology) · Painting · Political science · Politics · Sociology · American Constitutional Law and Politics · Computer Science · History · Law · Philosophy · Reformation and Early Modern Christianity · Scottish History and National Identity
| Citation velocity | historical |
|---|---|
| Highly cited | No |